Favorite bluesman.
Author: writtencasey
I am fascinated by the scientific endeavor and I read about or engage with those processes as much as possible. I am a compulsive reader and writer. With a background in anthropology and as an arm-chair/backyard scientist, I hope to improve my writing skills and learn about any areas of weakness or misunderstanding in my analytic skills. I am excited to share. Thank you for spending time here. Please reach out if you are so inclined. I'd be excited to hear from you. View all posts by writtencasey
Most Things Haren’t Worked Out, album of his is worth some ear hear.
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Oh? Always up for some of that kinda thang. Ta.
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He surely was there when Tape Op
was but a drunken idea at the end of the night
scribbled on the back of the Marlboro Man’s jacket.
[glad of it] 🙂
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Ee! slaying it tonight. Tape-op. Yay
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My copy of the TapeOp compendium – The Book About Creative Music Recording, by Larry Crane (with introduction by Tony Visconti) ©2000, is, I assure, very well thumbed & heavily annotated. It includes top tips, tidbits & tape tribulations from the likes of Rob Schneider, Rob Pollard, Steve Malkmus, Quasi, Linda Smith among other luminaries. It has survived fire, water & the digital age. It remains a loyal & trusted friend. So, Yay, you may. And I join you in that. Peas. x
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Long form citation. Such a mouthful but always a pleasure. It’s been near a decade since I’ve met anyone who would have a clue about Tape Op. But then I listened to Somme Girls today, in it’s entirety, the way Lindsey Buckingham intended it; and I was like, “Uh huh. Good ears. Nick’s got them good ears. Are there crickets at the end? You got that good sound inside you and out.
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What?! That is uncanny! and such a great name for anything
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Dayam. He deals dirty biscuits.
Good work.
Iron filings sliding off magnetic tape ≥ 10.
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🙂 you’re cracking me up tonight.
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