ewe made toast

Sometimes, I read you backwards.

Starting with the final paragraph and stalking you back,

coda to prelude.

Because, I’m less interested in how you end up and more interested in

how you found yourself at your present conclusion.

I want to, again, layer on clothes so that I may take my time undressing in front of you.

I want to watch your eyes.

I will sing like the birds enjoying spring outside my open, bedroom window.

And, my face flushes and turns so scarlet that I could swear I am fevered.

I am not, but I swear under my breath, anyways.

I see all those slant rhymes you presume pass most by.

The repeated use of an odd word.

A woman giggles while noting she had to look it up.

I giggle, because the same woman said the same thing a year ago. The last time you spoke the Word.

I recall you as easily as ad jingles and pop songs.

It becomes embarrassing, but I’m not ashamed despite not being proud.

It smells like when ewe made toast.

And the scent memory, turns me into an overflowing ewer.

Catalyzing another metaphysical catharsis.

Hot tears spill. Oil slicks slipping down geological formations of cheekbones.

I look sad but I don’t feel as such.

I feel rapt.

I simply feel.

Make your libations and lower your vessel that I may fill it, vassal.

Lent of a Leap Year.

Self-referential

Different parts of the same translation; the map is not the region.

(Turns out he had picked up about thirty pages before where she had left off.

Tolle lege : her favorite moment in the pagænt of St. Augustine’s confessions.)

<Fat Tuesday gluttony,

Ash Wednesday and crosses signed upon foreheads.

The Lent of a Leap Year.>

~

“What are you giving up?” the eighteen year old busser asks the thirty year old server.

“All hope,” he jokes.

Spring time questioning early autumn, at the winter’s end of a snowbird town.

~

The ache first settled in her stomach as discomfort.

(Then it arose like a tingling in the base of her spine.)

<Then her left shoulder began to ache and howl.>

~

The set of a matrix iterating itself endlessly.

(Completely incomplete.)

<Inexorable.>

(Consistently inconsistent.)

<The diversity of psychic unity.>

~

Charles Ludwig Dodgson once told me
“Kurt Gödel spoke the purest sentence and all he said was ‘G’.”

~

F systems

(Unprovability.)

<the set of Sette, containing all sets>

Referential self

Mountain presses sky

A rising reddening mountain

set against my pink sky.

States of matter change.

Snow returns to the peak,

with the seasonal shift.

Dripping downwards.

More will follow,

like bulbs remembering how to

burst forth in full bloom,

after being held back in a hard

petal enclosure.

Blustery and Blushing

A crisp breeze whips through us as we walk.

I look to your forearms

in anticipation.

Each breaking out in thousands of little goose pimples.

Reddening the skin.

Your face flushes as your blood vessels respond to the

change in ambient temperature.

It turns you to a blushing man.

Your eyes go childlike and I can imagine

your childhood face, even though I have never seen it.

The one you wore when you were fresh and new.

Before you knew how time flows

and before all that time flowed you.

Back when all you knew was feeling.

Before you had knowledge, before you wanted to have more knowledge, before you needed to prove things.

Before you knew that you know nothing.

A ray of light projects itself through the grey day’s smokey cloud cover.

It reenlivens your skin tone.

You thaw.

And, I wonder: where were you the very first time

sunlight kissed you and

began stripping away

your skin’s virginity.

In private, I will observe your bare form.

Looking for tell tale signs distributed and

laying across every inch of you.

I will trace my fingers along and press my lips to each revelation

of how you became what you are.

A ghost ship at full clip

Fighting-as-discipline haunts me with every new face I meet. (Invariably they are black belts, INK’D athletes, ex MMA fighters, etc.)

Cannily uncanny. It may be inspiring my clip this morning. I certainly find the trend personally inspiring. The same way the numbers 93, 13, 11, and 777 hook my attention. Do I see them at every turn because they occur in a disproportionate amount or do my expectations simply enliven significance?

My feet carry my brain to work, propelled as though by the will of something outside of my conscious thought.

I walk too fast. I don’t know why. Mind still foggy from tying one on with the family last night.

Damn. I can barely keep up with my own pace.: I think, walking.

Click, click.

Click, click.

Quick.

Oh well, the energy required to change my momentum seems more consuming than just continuing to walk along, too fast.

It is a grey sky morning.

Have I actually woken up?

°

The sun finally arrives and beats the cloud cover into smashed splinters. It makes the day seem real. I feel my heart finally kick start, keeping rhythm with the coffee coursing through my system.

Howllelujah.: says the newly given up ghost,

in a whisper of surrender to this new day.

Still/s

And,

still,

I howl.

What is this extraneous energy I feel coursing inside me?

Whose is it?

I need some wing-wo/man to deal with the secrets

people impart to the queen of magnets.

You said: she get it from her momma?

I said: eff right off.

{Not you, doll.

You look fine.

I love your snarl.

You are fine;

yet, I, still, worry you run cold.

I don’t get cold.}

I don’t exist in orgiastic ecstasy.

I exist in an ecstasy of sincerity that happens to be orgiastic.

And, yes, it seems like an eternity.

{An eternity for which I am already too late.}

Physicsical Moaning

I smile: I am pleased you like the work, but not particularly interested in why.

You liked how it felt.

Instead, tell me about the last dream you had while sleeping?

Did you like how it made you feel?

I dreamt a record store called All ‘N Analog. It was no analogue.

And,

What if it turned out that Paul Revere was just a Boy who cried Wolf?

Let’s incorporate.

A stem [becomes]

steAm.
Repetition of action is

not repeating oneself;

though, care must be taken, of course, so you

don’t repeat yourself;

but, sometimes I love it when

you repeat yourself

(or ask me questions, the answers to which you believe you already know.)

Self-awareness of ignorance can nearly

overcome it.
Just don’t over-commit.

You will, still, scratch that itching nose with a finger, whether you are aware you do so,

or not.

You skate on a bead of water produced from the ice you melted as the blade of your skate skirted over it.

You have not cut the ice.

Boiling point is dependent upon the local atmospheric pressure, sweet thing.

Are you at an elevation of simple sea level?

The triple point of water.

A bathtub producing water, ice, and steAm from its faucet head.

All states

existing simultaneously; and, at the same time,

the ultraviolet exposure at my atmospheric level, fries, while I watched the sun rise

from my spectacular, secularly sacred space.

Witness UK – Scars

No rights: homage to a song that re-entered my mind a week ago.

I heard it on a College Musical Journal monthly compilation compact disc when I was about 16.

It took me a solid seven days of racking my brain for lyrics.

They finally appeared this morning, over coffee, to my mind’s eye, enabling me to locate this song.

Finally.

A Watery Whale Wail

Have you ever stared, for a long time, at a large body of water?

More than an hour, or

until you can’t remember if the water is actually the sky and perhaps it is you that has been submerged in water the whole time?

Like maybe the horizon is a surfacing point where you and I breathe like whales?

Spouting our exhalations and thrilling the star ships above our surfaces.

It feels like when you sit in a room alone and repeat your own name aloud, for a minimum of three minutes.

Incepting yourself as you dialate time through your subjectI’ve experience.

Like purposefully esoteric, alternative spellings.

Energetic Exchanges

I wear all black with saddle leather boots, for work.

Straightened hair business.

As I walk, I unfurl my energetic wings.

My mantle.

Cold steel blades slide out through my shoulder blades.

Clinking.

I shake them. Loosening.

They respond when I dress this way.

I take care to align each blade so they will fold away properly.

Inappropriate for the task at hand.

I call forth the other side.

gossamer feathers.

Carefully unfurling.

One flies a’loose, fluttering into the breeze like a shining bit of a spider’s web.

The feathers still smell of you from last night.

From when you came to my mind with your pain clear in your

energetic, non-corporeal eyes.

Come in: I told you silently.

You stepped behind my back.

Squared with my shoulder blades.

Your pain began pouring out.

I collected you in my steely wings. Making a box.

A safe place. An unobservable vacuum within which you may thrash and wail.

I dropped down my feather mantle for you.

Draping the steely interior in celestial down.

Those who would prey upon your moment of weakness

slay themselves upon my well-honed metallic feather-blades, trying to break in.

Ships, at night, on a rocky coast with no lighthouse.

With each slam of your energetic body against the walls of my wings, you felt nothing but goose down envelope you.

I took great care to ensure this.

You fell asleep inside. I opened the space, covered you, cupped your hipbone, and slept aside you.

35 going on 77

A sawtooth comb for newly brittle hair.

Almost raking the wet curls.

A mind sulking over some lost piece of life, perhaps?

Everything is easier under the cover of my clouds and stars, dear,

including your lucid waking and dreaming.

I take the long way home.

I pause.

From outside the pub, I listen to the band play.

I consider going inside.

I see someone eyeball me and motion to an empty seat.

I smile and shake my head.

He cannot take the place of the one on my mind tonight.

I do not seek distraction.

I will enjoy my own smouldering.

A game of patience.

A study in control.

A tyre pyre burning.

I pass a man followed by a woman.

He has his hand extended behind him.

Fingers shifting in an effort to convince her to hold his hand.

I wonder why she didn’t take it into hers.

68 Coffeecake/86 Crab. tuesday

If you comment: it’s not exactly rocket science, you sound like you think you are a rocket scientist.

The silver couple arrives. She forgets my name but gives me a new one each day. Curly Sue. Dimples.

Today, I am Goldilocks.

She asks the bartender my name when she thinks I cannot hear. She suggests I read the poem Casey at the Bat. Hum, huh.

The village beach preservation busy body society has two tables held for them. One for the men and one for the women. Twelve seats total. Only three women come. They talk the politics of healthcare and about the addicts in their lives.

Our speakers play almost decent, easy listening blues. If you can imagine such a thing. Almost-Stevie Ray Vaughan comes on.

Nearly-Suite: Judy Blue Eyes plays.

We are slow enough that I actually noticemusic is playing.

And, time moves slowly now.

The reservation for six at noon became 4 at fifteen ’til

.All named Pat.

“You are pulling my leg, right?”

“No! It’s Pat’s Day. Okay, now I am kidding you about that. We are all named Pat.”

He and the other Pat (only two have arrived) laugh uproariously.

Mike comes by to make a reservation.

He shows me his Book of Answers.

“My wife found this in 2000. Ask a question and flip to any page.”

He carries a green street sign in a plastic sleeve under his left arm, hugged against his ribs.

He adds:”You don’t have to tell me the question.”

I silently ask the question on my mind.

Tolle Lege.

The page I flip to, it reads:

it is not guaranteed.

That figures: I think.

The thing about which I framed my inquiry is not guaranteable.

He and Tony will return for lunch tomorrow.

A regular left me this.

Monday’s Hostess

It is nearly sunny over Puget sound by eight a.m.

My feet pound pavement. Walking to work.

A simple luxury of the highest order.

A man hugs three people outside the osteria,

one at a time,

ring around the roses style.

Lighting a cigar, he and his bulldog walk away and across the street to

my side of the road.

They precede me by about six feet as we walk.

I inhale deeply the spirals of smoke that follow him.

I feel less sheepish about the plumes of vapor I emit.

He stops to let me pass.

“Don’t want you breathing my fumes.”

“I was enjoying it.”

I was enjoying it, too.

“Showbiz Kids” comes through my cans.

Steely Dan’s Countdown to Ecstasy.

Five minutes later, I arrive at the cozy, little bistro located on Main Street. Two blocks from the water. I see the beach town’s Monday morning is already in full swing. Live and bumping with mostly silverhairs, at this hour.

The exception being a thirty-something couple that I wager is still out from last night.

They drink a lot of water.

(No one likes ice in their water here.)

I hum my hellos to the front of house crew.

I get mumbles back. It is early.

I announce my hellos to the back of house who are singing a song in Spanish that I have never heard. They wave enthusiastically. They have been here three hours longer than front of house.

Their coffee already kicked in.

11:05 a.m.

and, the sun finally asserts itself, breaking free from behind clouds.

This thrills and disappoints.

I am already sweating. The A/C unit has not worked since I started.

I am used to the heat from my former life.

I hear garbled voices rise:

“[Something, something, something] Moroccan immigrants!”

Followed by:

“[Something, something, something] So what?! People look at you funny? Big deal.”

I doubt he knows what that feels like, but

what do I know?

As he leaves, I smile and offer the obligatory: “Thanks for coming in. Have a good day.”
He halts.

“No!” he says, then approaches me.

Stepping in close.

“I had a friend and when people told him to have a good day, he’d say, “Don’t you ever tell me what to do.” “

I laugh and I mean it.

“Well, in that case, I sure hope you have an awful day,” I say with nonchalance.

He looks confused then smiles.

“This one, huh?” he says to no-one, indicating me with a finger.

“Didn’t you learn pointing at people is impolite?”

Catchling calling.

You enter, please. Come to me catchling.

I hear you in the forest, leaves skulking.

I smell you just as before.

A little sleep following a long night jolts my mind into these new, waking dimension/s.

I turn

to look at you.

And, I know that I want.

I want with wanton desires.

This kindled flame did fell me before the universe in prostration to the sensation stirring in me.

I shall know you when I see you again. I see you everywhere.

My surrender to pursue the mastery of your pleasure and discomfort.

Your stoic stillness and

those heavy shoulders.

My reserved disposition conceals me

as I see past veils, into swirling thoughts of desires to devour.

Delectable with shameful kindness.

To tell you:

I want to.

I want, too.

I too want to.

Desire wanting after waiting

demands:

be wrapped in gossamer as I

shake you loose from yourself so you can breathe deeply

before me.

Rider and Driver

I reminded myself of my freedom upon awakening this morning.

Howl easy it is to say that word without meaningful intent.

Free from what?: you may ask.

I don’t know. Myself? Selective desires? What I wanted for other people?

My love of this particular previous mode of life.

I can keep my love and desire anywhere.

Choice and temperance decides if I wilt.

I choose to keep some with you because I can.

<>

Hansel and Gretel breadcrumbed the path of the trail taken.

The coach benched the less adept players.

They were told that they were lucky to make the team at all.

Tuned in ghosts may be friendly, right Casper?

My vocabulary grows.

<>

Giggle. Howl fun it is to smile at what others assumed would wreck you.

Howl I laugh at myself until ’til I cry.

Howl strange it makes me feel efficacious.

Everyone can name a thing that or a person who

they want.

Can they evidence a pursuit of the want?

How long can their arms carry wood during the winter.

How much sun can their skin take from the summer?

Silly beast, did you think an invoice for work done would be presented?

Flatter your-being a little more. But,

do not flatter your-self.

<>

The junko flits about the porch upon which I sit.

I doubt s/he has a plan or a concern for my prescence.

S/he is

hungry enough. To naught,

care to hide.

Stellars’ Jays are more self-aware. They won’t come over.

They just look on from the apposite rooftop.

Both can fly.

I know you can run, but can you lift off?

Why taxi on a runway

when there are

highways and byways?

A hitchhiker and a driver.

There is romance to it,

if you survive.

<>

I know you are a bullet. Don’t make me dodge you.

Shoot to kill, huh.

Catch and release?

I am not endangered so don’t bother.

Shoot to wound?

Crueler and more unusual.

Taxi your own dermis first because your trophies are only relevant to you.

Are you a trophy in anybody else’s eyes?

They will clean you regularly and prominently display you.

They may continue to amass more trophies.

Devaluation of a trophy holder not a trophy.

To Nick a Horse’s Tail? Parçigal writes

I it is,

writing to you as A’ licentious Alice, a chalice, from AL by way of LA origin-ally, with houndstooth donned:

It is the sense of loving the moment. It is remembering the sensation of meta/physical love and then remembering the sensation of how it feels to lose it. That ache. That sense of how many times will they wreck me?. How many times will I play the Fool?

Again and again.

Why lose the Fool of yourself? If I killed the Fool inside to be hip, where did the real me go? With whom do you share your inner fool? Can guarding it be anything authentic?

In this mp3 and streaming world, a mix CD burned,

a cassette tape made,

breaks my heart right open. Is that why we have one?

This is not sadness; it is a necessary devouring of self.

A Happy Death.

My existential orientation continuously regenerates as at the point of origin, and I can be painfully patient; but,

does your silence actually speak: you are only useful until used?

Bemused at the thought. At you. By you.

And, a comma can change the entire meaning of a sentence: I say.

I know your way.

I knew before you showed me.

You play semantics and fancy it is a game?

<>

Splayed pieces parsed in preparation of a preheating oven.

The intimacy of this is but the sense of mind behind it.

I understood that years ago. I learnt it in a dream.

Tonight, I feel my patience hotly boil, as though I must make it into impatience simply to show you my elasticity.

You say: I’ve been here before.

So? I’ve been here forever: I reply,

Curtly but with a curtsey.

Here, where the desire to conduct currents raises meta/physical energy in the nerve endings concealed under my skin.

What a waste to not make use of it.

I would waste that energy on you alone.

Waste it in the face of

your silence.

I will howl until you howl back, to punish you.

Does that spook you,

you ghost of the man of May?

Giggle-snarl.

I espied your inconsistency immediately since taking my flight of departure.

Curious.

It was my mistake. I should not have allowed you to let me leave. I thought I was being kind, but I was only being polite. Stay. That’s what I really meant to say or do this time.

I abide still. I stoke fires. I test the limit.

I care for you. That is all. I can unconditionally hold you(,) dear.

My love is not tethered to needing love.

My devotion is my loyalty to my beloved. You endeared yourself to me.

I desire you. Now you must suffer the cost of your own, odd charms.

It is no matter of ‘should’ you, but rather, ‘could’ you

tell me true?

If you could, I hold you(,) dear.

If you could not, I hold you(,) dear.

<>

There is heavy magic in your air and I am magnetized.

Some integral things reduce to simple vibrations, to sounds, to sounds like bays, being transmitted through our air.

I wrote all these words first

in longhand to show you how inane I can be.

How frighteningly unafraid

you could be,

should you so choose, ewe.

Or, perhaps, your hands are tied.

Perhaps you have no choice but to be so.

I learn the record of your timeframes

still.

Deliciously diabolical it seems: both your pleasure and your desperation.

Does it make you forget which side of the road on which you ought to be driving?

Were you just checking out your mojo?

Taking me for a ride in your fast car?

There. Am I impressed?

Hum.

Good question.

Can you answer this: if I told you that your heart belongs to me now, would you hold your head up high in the air?

Could you even if you wanted?

Could you even say if you didn’t?

The difference between ‘can’ and ‘may.’

Simon says he went birdwatching but only saw his own feet.

Not many birds to be seen in that scene?

Just grounded, flightless birds, you adorable dodo.

<>

I saw a porcupine ripping out its own quills,

one by one by one,

by one at a time.

Onlookers horrified at the sight of so much blood.

The porcupine stabs them while they are stunned into stillness by the reverie-stupor of their surprise.

Slaying ampersand slain.

I see your look of discomfort at this friction.

<>

There was a slight drizzle of rain

as I laid myself

down to sleep early this morning.

I imagined how lovely it would be to

put my hand about your pelvic flair.

The jut of your hipbone.

Cup it like an anchor to

hold me fast

in what dreams may come.

[☆]

The night sky was so poorly lit, that I could see

moths flying away from it.

Fleeing the lack of light is not the same as seeking a light.

I raise my lantern for you tonight.

If it is lit

it is done so through and not by me.

But, for you is for whom I raise it.

A beckoning through a beacon.

Here is your

sea shore.

Fall, like a wave, upon me.

Surrender your summer-self and embrace the autumnal ewe, you.

Across from Howell Way

The song’s tempo shifts and

the outfit slides easily into

a softer sound.

Impeccably nuanced for a bar band.

<>

R. used to own the joint; but he sold it.

Allegedly.

He would neither confirm nor deny this.

He heard him directly asked twice, separately, and all he would give up is:

I work here.

He returns nightly.

He emerges from the back of house with a

fresh bus rag. He flaps it,

like a matador,

before folding it into a small square.

He does not even give up

a smile.

He magically produces a broom and dust pan to

sweep the carpet.

They don’t make ’em like that anymore?

Hardest working man in show business.

<>

The smell of cologne breaks through, suddenly.

I breathe it in deep. Try to see the source.

That was a fun song: the singer says, tuning his guitar.

He and the fellow on keys banter between songs. Long enough to be ready for the next song. Not too long.

The bass and drums do not laugh along or smile.

The funky bassist.

There is a reason he is front and center.

He has no mic. He does not solo.

Nothing is the only part he overplayed.

He is perfectly on point. Tight.

Anchoring.

A self-indulgent guitar solo becomes necessary at his command.

The guitarist announces the set break.

We now pause for this brief station identification: I think.

Guitar and keys wander out the back door

to the smoker haven.

Bass bums around with the crowd.

The perfectly understated drummer (rarest of the rare) escapes my awareness.

I look up at the screen above me and am informed carpet is being liquidated.

I stop looking at the screen.

The bassist is the first to return to his position.

Standing in his spot. Waiting.

The drummer appears moments later. Seated at his station.

Tick, tick.

The bassist sits down on an amp and starts playing along with the song on the jukebox.

/gotta have that funk/

You got it: I think.

He plucks a quick harmonic, wrapping up, as the guitar and keys return to the stage.

Stands back up, he takes his place between the two.

Guitar and the fellow on keys banter. Long enough to be ready for the next song. A bit closer to too long this time.

Tuning strings, the singer says: all right. We are gonna play the same set for you all over again…you guys look like you’re having a good enough time that you won’t even notice.

Hell, half of ’em probably don’t realize that you are a cover band: I think.

Deep cuts selected.

Covers of covers.

An undercover, cover band.

<>

Clearing empties and wiping away the sticky of slightly, sloshed beer spills,

R. stops by my table.

He calls me by first and last name.

When did I tell you that information, sly, observant one?

Parçigal Passionately Possessed

My deer, stag,

I it is.

It is I binding you in this ecstatic existence, suspended between

the Star and the Satellite.

The sun and the moon; yet, it is you they call Janus.

I am the feminine, arched gate-way granting the descent of your

spirit into matter anew.

I do not redeem, I conduct currents.

The sea of PARChVAL is the conjunction of /K/ and /C/.

I am the sea, KC, the reason

a /z/ becomes /c/

Parzival becomes Parçigal.

Congruence creates /Ch/

Why do you think I remember my name is also /Alice/, at least sometimes?

KC becomes Ch(eth) and conjuncts to /Alice/ through a confluence of circumstances causing me to recollect that I am

A ChAlice of Ecstasy. A grail.

GRAL, deer Parzival.

moon and sun

known to gods and, simultaneously, known to k/NO/w-One.

Socratic circles unaware of one another.

Let us ignore the voyeurs gawking at love’s blazon painted on our lips

We exhibit authenticity in current, capacity, and conduction without being simple exhibitionists.

They tricked you into believing you are the monster and me a prize if pure.

Howl silly they were.

I want your masculine beauty, that prettiness you cannot see,

to come

to love

the feral beast I conceal in my hotly, howling heart.

I show her to few outside the eyes of ewe.

Come

sit beside me and show me ewers.

Let me call you a pretty thing, fellow.

This gal knows objectification as well as the absence of it. All gals do.

It becomes a bore, sweet sorrel.

They taught you the trick of objectifying

Let us trade places, like swapping clothes.

You may become the direct object of the verb I enact.

I will do the work because I want to see if it makes you squirm.

To see if it makes me squirm to do.

The embarrassment of being kindly admired.

The sensation of feeling yourself being eaten by the eyes of another.

Empty yourself so that I can see you better.

So, I can better show you yourself as my eyes see you.

My mirror may reflect the unexpected.

Do not spook, unless you must,

when you discover you are the Dove and I am the female goat.

Secret she-satyr.

Why do I think we should go on?

Because what else is there to do?

As far as I can tell, ain’t nothing else happening at all.

Shall we find something which makes us belly-laugh?

Care to cackle along with me?

Cast upon me your strange glances, my deer-man.

My irises drink them like wine intoxicating my soul.

Straddle two shores of consciousness:

with one foot in every-day

and one in ecstasy.

In a balanced imbalance.

Our wabisabi is our Tao.

Tell them that they may call us by the handles

Priapus & Pearl.

Those dummies don’t know that my mantle is reversible.

They only see the dark side, the light side; and they leap to the conclusion

it must be so below, on the underside that is hidden from view,

as it is above.

It is red where the two sides meet.

The red turns green when I see you;

although you cannot see it,

you can feel it as a sudden drop in ambient temperature.

Being bespoke, not beholden.

Not needing, choosing.

Bound in the unbinding of wearing each other’s invisible maverick’s branding.

They will know us by

howl freely

we move as ourselves.

Our brand is authenticity having no mark burned into the skin.

A silence screaming: simply see and know.

Be still for me and feel the essence of softness?

Make your hardness melt into delicious vulnerability?

I will call you /Sweet Thing/ in such moments, derelict deer.

And, I will wonder at those instants when your eyes cannot meet mine.

I will call them up to me without words.

Your eyes will go wide, then soften to

see me look upon you with such hard eyes.

This is how

my femininity penetrates you.

All this I can do while

taking care

to not stomp the little flowers growing underfoot.

These are the open secrets of our Tao.

Inner sanctum unseen by the sleepwalkers.

Methodology provoking zealous jealousy in awoken ones.

They see us and cannot remember

if love differs from devotion.

I can show you how to move mountains.

It is as simple as letting yourself hold my hand.

I hold the world for ransom when I take your face between my palms.

Unspoken psalms.

What comes next

be-comes

unspeakable.

Just like Tao cannot be apprehended through words

(only hinted at)

It can only be obtained

through direct experience.