Parçigal Waxes for Æ

A man I pass every morning told me, yesterday: you must be a native, dressed like that.

I wore a pallet of grey, black, and brown.

I assumed it was these colors that made him say such a thing.

Then, I saw myself.

A native alien in this strange land,

but four hundred years before now.

An imposter amongst the indigenous.

A civilized lady gone native.

A warrior savage with hunters who fall with her.

And, now, I see that

the Sound is water and sky together.

A point of infinity from whence we cannot distinguish air from liquid.

And, now, dearheart, night became itself.

The moon waxes nearly full,

jumping from one side of the street to the other,

as I snake around two city blocks. And,

even clearer now does the tower

with twenty seven windows crumble before mine eyes.

I built those eleven steps to its front door two decades ago.

Where many may think: what has become of my work?

I think: that old thing is still standing?! Didn’t Æ cry “to dispose of this” as the Philistines yelled at Daniel in a Lion’s den.

But, see,

I know: a lioness does well in a lion’s den.

Permittivity

The story always flows inside. Now, outside, as well. Like JM says: I see something of myself in everyone; just at this moment of the world.

From the perspective of the Pendulum’s pivot point

From which we are all hanged.

So, I pace out a one-room prowl.

Cursed and blessed our we,

tethered by our high potential of permittivity?

They shalt not treat us unkindly,

but, we may ache further(,)

still.

These indirect aspersions haunt my southern plane,

remaining innominate.

I see you,

nearly combustible from that raw fossil fuel that burns out of your eyes as hot tears.

An enflamed emanation of emotion.

A diesel engine backfiring.

A vice-president shooting his friend in the face.

A murder that occurs on account of how hot it is.

A happy death.

A shadow.

A deal with the devil that you pray to god s/he must hono(u)r.

Push it along.

.:.

~Sometimes I wonder: what is there to write that cannot already be read?

⊙The difference between flowing from and flowing into?

~No. Those states occur, necessarily, in tandem. Like a rope, strung between two cans,

conducts the sounds that the speaker/s curate.

⊙A feedback loop within an open system.

~Why repeat yourself when you can simply read those notes your previous self left to your current self?

⊙On account of how forgetful you knew and know yourself to be?

~Especially when

you have been as long as Æ has been.

⊙Your stasis is my equilibrium.

~I am bespoke you are not beholden.

You are dear to me because you endeared yourself to me by virtue of you being precisely who you are, have been, and will be.

⊙ I think you are too short to push it.

~ You think too much. Plus, I am taller than many things.

⊙I think you talk too much.

~ Then shut me up. You know howl.

.:.

Ariadne Howls to Æ

How is it that, I, Ariadne, she whom gave you the string to trace your way out of this labyrinth, now finds herself strung along by it?

When did the slipped, sleeping pill take æffect?

Am I woke or lucid dreaming

Or sleep walking?

I came

from whence rhythm first flowed and then flew.

I return twice slain.

Yet, still

I return,

by choice,

hunting on my tip toes.

Ways of seeing.

Forward and up.

A tightrope walker knows to not look down

when toeing a path

across the line.

When nothing makes sense

Abandon yourself to the terrorifically awful awesome.
Control and compliance, there is a

subtle difference in

Ways of Seeing.

Berger the Maverick.

“Perspective centers everything on the eye of the beholder.”

Metaphysics

What of the things after the Physics?

The left over ones.

The ones with red x’s painted in the blood of autumnal sacrifices of

sweet satyrs and wicked mares.

Pass(ed) over during the Harvest.

Prepare for the final plague and

yet another Exodus from Egypt.

Recall: a tarbush is not a fez.

One have women worked under feet for ewe.

One has not but is not naught.

1st order nonsense

I hear you in magical, howling waves.

As though howling at me,

for me.

I remember standing in your circular hall, situated in front of one of twelve windows. I could only see eleven.

Just as I k/now-sees your strange, blue table has only three legs,

Æ believe twelve is your number.

I fell for the Baker and his dozen of thirteen and thirty one.

AL LA

These I found in your thirty six chambers (the dirty version).

What of the power of inaction?

I have seen it. I am re enlivening the power of actions.

Asserting my attention so that it becomes attuned to

My intent to action.

What of your golden cauldron and collar?

The triple obelisk etching adorning the table

and, your fine robe.

The position of your fingers.

An empty hand and a bespoke hand which

furls, clasping like a talon.

There shines the indigo light

about the crown of your skull, wild one.