I howled last night while dreaming!

Highly excited about this dreaming experience.

Regular readers (thank you!) probably have noticed howl much I dig using [howl] in my writing. I say it in my daily life as well. I bellow it, in silence, at night. (You have to be quiet it the flat where I stay, see.)

I have lucid dreamed since being a young child. I realize I am dreaming quite quickly in the dream state.

Sometimes this realization empowers me to change the dream consciously. Sometimes, I realize I am dreaming but do not realize I may be able to alter the dream state. (But, howl. Why change a new experience for what you assume would be better? The idea does not occur unless I feel real suffering.)

Many times, dreams feel like another plane of reality upon which I have landed, where, the best I can do, upon realizing I am dreaming, is to choose to try to wake myself up.

I am overly familiar with the sensation of sleep paralysis. Of becoming mentally conscious before being able to move my body. It is a weird feeling, but I have never felt the terror others describe when experiencing the sensation. No aliens. No demons. Just a simple inconvenience.

“Oh, howl. I gotta sit here and think, ‘wiggle your big toe. wiggle your big toe,’ ” for what seems like an eternity.

Eventually, my big toe actually wiggles.

Enough context.

Here is the dream.

I stand at the top of several flights of stairs.

Wooden floors.

An old, antebellum-style home.

Southern gothic.

Crown molding with runners.

There are no lights and

“It was a rainy night.”

A strike of lightning flashes. I see a very, strangely, white child appear on a bench, below. Situated upon the first landing, one flight of stairs, below.

Right before the stairs cut around to the next segment of their spiral.

He looks up, directly at me.

His eyes go wide.

Yawning like mouths.

Too wide.

I do not want to be here. It hurts more than it needs to.

Instead of thinking: wiggle your big toe,

I say, softly,: howl.

I know that I am dreaming. I cannot change the dream.

I want to wake up.

I start bellowing out:

HOOOOOWL.

Lightning strikes again. It illuminates the same bench.

Now, there are ten more children, with yawning eyes, where there had previously been only one.

I howl myself awake.

Serendipitously, “howl” took over and took care of me.

Joni Mitchell – Help Me (1974)

No rights: homage to a lady champion.

From

All I Want (alpha) to

All I Want (beta) to

Carey back to

Conversation forward to

Wild Things Run Fast to

Smokin’ (Empty Try Another) back to the impeccable

The Last Time I Saw Richard and forward to

Coyote, and

.Blue Motel Room.

JM knows, knew, experienced a lifetime of love and lust

and was gracious enough to share.

She knew interesting folk, if you look into it.

The hip, bone game: Joe Tex – Show Me

No rights: homage to the coolest mafahcking front man that I have seen.

Seriously, he dances with his mic stand better than professional ballroom dancers move with their partner/s.

I love a man’s hip bone and I like to play:

The hipbone is connected to the….

/tell me that you gotta show me/

Forgive the pronouns if you can and dig the essence.

The beat tricks me. It seems a half count slower than my ears expect.

Tension of time.

Intension.

Sonic Youth – Bull In The Heather (Official Video)

No rights: homage to a band I have saved like gelato for rainy days.

i.e. a band I knew I would dig based on who else I have and do dig, for the last fifteen years.

[Do you ever save bands like me?]

I listen to music like folks watch t.v.

Too much.

Parzival research leads me to new words, ideas, preferences, everyday.

This song I found about two weeks ago.

It suits the proclivity of all, across the spectrums, so far as I can tell from my limited perspective.

/tell me that you gotta show me/.

Does everyone not endear an invitation to agree or disagree, with impunity?

Witness UK – Scars

No rights: homage to a song that re-entered my mind a week ago.

I heard it on a College Musical Journal monthly compilation compact disc when I was about 16.

It took me a solid seven days of racking my brain for lyrics.

They finally appeared this morning, over coffee, to my mind’s eye, enabling me to locate this song.

Finally.

Slow Train (feat. Cate Le Bon) KEVIN MORBY

No rights: homage to a favorite in the house KC.

/I am barely on the ground/

/train/train/release the fire out of me/

/I don’t wanna burn/

/from the inside/

/n’ I dunno my name and I dunno my purpose/

/I just know my place on the slow train./

Slow train coming.

I’ll be ’round the bend, this backwoods gal, from Alabama.

Boy, without a doubt…

There’s a slow, slow train coming round the bend.

I nice dreamy song for those of you with a long weekend.

Or a burning heart.

I still remember

/Standin’ on the platform waiting for that train/

/Son, you are too late now/

/Train already came/

/waitin’ on a train that’s already come/

/come/

ROBERTO BOLLE and Svetlana Zakharova ~Swan Lake. You have no idea.

No rights: homage to impeccability.

Watch how the mæstro pauses before beginning.

The opening image of Bolle with silken, horrendously large wings flying over the ballerina.

Indulge.

Svetlana Zakharova’s Black Swan choreography and performance dominates.

I would love to see the Swan Lake hip-hop, freestyle performance on the streets of N’awlins one day.

In that public area right next to Cafe Du Monde.
A little chicory.

TOOL – Pneuma (Audio)

No rights: homage.

Merry TOOL eve. To each and every one of us.

Per first comment: https://youtu.be/x7lk_iucgw8

Massive Attack – Voodoo In My Blood

https://youtu.be/NF-h-LWasv4

No rights: homage to a song I cannot get enough of.

/it’s not quite right [?] / you must be a cynic/

Do you hear that jingle early in the track, too?

Like a pair of keys in hand, jangling with each step.

Here is an excellent visual tale told to a different cut of this track.

[Howl her laughin’ howls give me goosebumps everytime.]

Massive indeed.

/voodoo in my blood/

Neneh Cherry – Buffalo Stance (Official Video)”

No rights: homage to a lady champion.

She prompted The Wild Bunch & Massive Attack.

Deep cut Sunday,

Suckas…

Giggle.

Don’t you get fresh with me.

State of mind.

Whaddayou expect?

King Khan “I Wanna Be a Girl”

No rights: homage.

/I really wonder how Venus would feel if she was raised to be such heel/

Howlarious.

I am a girl…

/They way they scratch and the things that they dream/

…but a little gender bend for the toughest of guys seems only kind at this time.

Happy 25th Portishead’s Dummy (listen to Biscuit)

No rights: homage.

I hear this album, Dummy, turned 25 today, fellow dummies.

Cheers.

One of my favorite songs here.

Watch “Brittany Howard – He Loves Me (Official Live Session)” on YouTube

No rights: homage and mega ups to Brittany Howard of Alabama Shakes fame.

I saw them open for Crazy Horse in Tuscaloosa, AL.

There was a small wooden desk to stage right.

An awesome artist out of my home state.

Hometown heroes, huh?

Here are her thoughts on the South and music.
Deontay Wilder, falls into this category, too.

[sic. Wilhagan’s Irish Pub daze.]

(But, that’s another story.)

King Crimson: in/Discipline

Two songs.

The catharsis of juxtaposition produces handmade syncretism.

Pendulous and diabolical.

Indiscipline. (Old Grey Whistle Test, 1982)

discipline. (Live in Argentina, 1994).

68 Coffeecake/86 Crab. tuesday

If you comment: it’s not exactly rocket science, you sound like you think you are a rocket scientist.

The silver couple arrives. She forgets my name but gives me a new one each day. Curly Sue. Dimples.

Today, I am Goldilocks.

She asks the bartender my name when she thinks I cannot hear. She suggests I read the poem Casey at the Bat. Hum, huh.

The village beach preservation busy body society has two tables held for them. One for the men and one for the women. Twelve seats total. Only three women come. They talk the politics of healthcare and about the addicts in their lives.

Our speakers play almost decent, easy listening blues. If you can imagine such a thing. Almost-Stevie Ray Vaughan comes on.

Nearly-Suite: Judy Blue Eyes plays.

We are slow enough that I actually noticemusic is playing.

And, time moves slowly now.

The reservation for six at noon became 4 at fifteen ’til

.All named Pat.

“You are pulling my leg, right?”

“No! It’s Pat’s Day. Okay, now I am kidding you about that. We are all named Pat.”

He and the other Pat (only two have arrived) laugh uproariously.

Mike comes by to make a reservation.

He shows me his Book of Answers.

“My wife found this in 2000. Ask a question and flip to any page.”

He carries a green street sign in a plastic sleeve under his left arm, hugged against his ribs.

He adds:”You don’t have to tell me the question.”

I silently ask the question on my mind.

Tolle Lege.

The page I flip to, it reads:

it is not guaranteed.

That figures: I think.

The thing about which I framed my inquiry is not guaranteable.

He and Tony will return for lunch tomorrow.

A regular left me this.

“Everybody’s Going Wild” Detroit Cobras

Punk yodeling?

As cool as gypsy punk.

They get raw live. I dig their studio ventures, too.

This is from Baby.

Check out more here.

“Are You Happy Being A Schmuck? Lou Reed, Sydney 1975”

No rights: homage.

I am a part-time many things, but a full-time rock n’ roll animal.

While I am on record as not enjoying hearing musicians talk about their music, there are several notable exceptions that make the rule.

Neil Young, Johnny Lydon, Michael Stipe, Joni Mitchell, David Bowie.

But, my absolute favorite musician interviewee is Lou Reed.

This captures some of his essence.

This captures all the bizarreness of journalism and media.

“LeftSide Deafinit – Let Go (Official Video)”

No rights: homage to an artist i just came across for the first time.

Next level and on pointe.

Check out more here.

Chock full of symbolism, a vivacious beat that is well mixed, and

the video artwork left me wonderstruck.

To Nick a Horse’s Tail? Parçigal writes

I it is,

writing to you as A’ licentious Alice, a chalice, from AL by way of LA origin-ally, with houndstooth donned:

It is the sense of loving the moment. It is remembering the sensation of meta/physical love and then remembering the sensation of how it feels to lose it. That ache. That sense of how many times will they wreck me?. How many times will I play the Fool?

Again and again.

Why lose the Fool of yourself? If I killed the Fool inside to be hip, where did the real me go? With whom do you share your inner fool? Can guarding it be anything authentic?

In this mp3 and streaming world, a mix CD burned,

a cassette tape made,

breaks my heart right open. Is that why we have one?

This is not sadness; it is a necessary devouring of self.

A Happy Death.

My existential orientation continuously regenerates as at the point of origin, and I can be painfully patient; but,

does your silence actually speak: you are only useful until used?

Bemused at the thought. At you. By you.

And, a comma can change the entire meaning of a sentence: I say.

I know your way.

I knew before you showed me.

You play semantics and fancy it is a game?

<>

Splayed pieces parsed in preparation of a preheating oven.

The intimacy of this is but the sense of mind behind it.

I understood that years ago. I learnt it in a dream.

Tonight, I feel my patience hotly boil, as though I must make it into impatience simply to show you my elasticity.

You say: I’ve been here before.

So? I’ve been here forever: I reply,

Curtly but with a curtsey.

Here, where the desire to conduct currents raises meta/physical energy in the nerve endings concealed under my skin.

What a waste to not make use of it.

I would waste that energy on you alone.

Waste it in the face of

your silence.

I will howl until you howl back, to punish you.

Does that spook you,

you ghost of the man of May?

Giggle-snarl.

I espied your inconsistency immediately since taking my flight of departure.

Curious.

It was my mistake. I should not have allowed you to let me leave. I thought I was being kind, but I was only being polite. Stay. That’s what I really meant to say or do this time.

I abide still. I stoke fires. I test the limit.

I care for you. That is all. I can unconditionally hold you(,) dear.

My love is not tethered to needing love.

My devotion is my loyalty to my beloved. You endeared yourself to me.

I desire you. Now you must suffer the cost of your own, odd charms.

It is no matter of ‘should’ you, but rather, ‘could’ you

tell me true?

If you could, I hold you(,) dear.

If you could not, I hold you(,) dear.

<>

There is heavy magic in your air and I am magnetized.

Some integral things reduce to simple vibrations, to sounds, to sounds like bays, being transmitted through our air.

I wrote all these words first

in longhand to show you how inane I can be.

How frighteningly unafraid

you could be,

should you so choose, ewe.

Or, perhaps, your hands are tied.

Perhaps you have no choice but to be so.

I learn the record of your timeframes

still.

Deliciously diabolical it seems: both your pleasure and your desperation.

Does it make you forget which side of the road on which you ought to be driving?

Were you just checking out your mojo?

Taking me for a ride in your fast car?

There. Am I impressed?

Hum.

Good question.

Can you answer this: if I told you that your heart belongs to me now, would you hold your head up high in the air?

Could you even if you wanted?

Could you even say if you didn’t?

The difference between ‘can’ and ‘may.’

Simon says he went birdwatching but only saw his own feet.

Not many birds to be seen in that scene?

Just grounded, flightless birds, you adorable dodo.

<>

I saw a porcupine ripping out its own quills,

one by one by one,

by one at a time.

Onlookers horrified at the sight of so much blood.

The porcupine stabs them while they are stunned into stillness by the reverie-stupor of their surprise.

Slaying ampersand slain.

I see your look of discomfort at this friction.

<>

There was a slight drizzle of rain

as I laid myself

down to sleep early this morning.

I imagined how lovely it would be to

put my hand about your pelvic flair.

The jut of your hipbone.

Cup it like an anchor to

hold me fast

in what dreams may come.

[☆]

The night sky was so poorly lit, that I could see

moths flying away from it.

Fleeing the lack of light is not the same as seeking a light.

I raise my lantern for you tonight.

If it is lit

it is done so through and not by me.

But, for you is for whom I raise it.

A beckoning through a beacon.

Here is your

sea shore.

Fall, like a wave, upon me.

Surrender your summer-self and embrace the autumnal ewe, you.

Watch “TOOL – Fear Inoculum (Audio)”

No rights: homage to a band I have loved for two decades.

Giggle. Despite myself.

New track released today.

Get the inoculation.

Get their music. Listen to it as an album.

Seriously. Howl excited am I? Too excited.