to Port Townsend

They make parking garages into boats.

The cars below do not feel the apparent-wind like us walk-ons do.

A pair passes by me. I hear: “How did those stickers get put on there?”

Orcas, while rarely seen, do swim here in the Sound.

A family passes by me.

“How did those stickers get put on there?” I hear again.

{~}

On the bench to my right, a fellow in a cowboy hat is photographed by a slight and pixie-like gal.

She has a camera. A proper, right aperature. She does not repurpose her cell phone for the task. Perhaps it speaks to the value she places upon her subject and the tools required to properly achieve her artistic desired ends.

On the other side of the water is a Townsend of a port. It is filled with salty sea dogs of the best kind. One of the last bastions in the world of expertise and experience re: wooden sailboats.

It was built in a decidedly Victorian style during the late 1800’s. Elaborate stone buildings that would seem more at home in the UK.

It maintains four independent bookstores, all on the main [sic. high] street.

Always a positive sign. Yet, one that I seldom see.

The song of a pied piper.

The voice of reluctant troubadour.

An outburst from a seagull sounded like a car alarm.

Investments were made here with the intent to create a massive, international shipping port. This place was supposed to be what Seattle became, but the railroads did not lay track here as anticipated. They routed through Seattle.

A hazy cover of clouds lingers. There are immense mountains so close by, yet abiding unseen.

I pass two places that I recall having seen in dreams. Deja v/u/iew.

And, it smells like the Gulf of Mexico does. Destin, AL, just next to the Florida’s panhandle.

Salt. Seaweed. It reeks of things always being wet and never drying out.

It is a town of artisans, artifacts, and craftsmen. As it was explained to me: It is a sailor’s paradise because there are only 24 days of “good” sailing weather here.

I consider that type of sailor. Yup, they are the same sea dogs that still build their vessel from wood and not fiberglass.

There are rigger shops every other block. Schooners, sloops, cutters, ketches: the number of sails and the number of masts varies, but they all require a great deal of properly positioned and tightened rope. It becomes a specialty, like navigational skill.

It sings of waves falling down. It hints at waters ceaselessly lapping rocky shores like relentless thoughts and worries carving canyons in the contents of your confidence.

Seagull shit stained rocks and buildings made of stone. Barnacle blooms come into view on the hulls and the buoys during this time of low tide.

I feel the demands of a restless mind clicking out thought and notion like an antique stock ticker. I cipher telegrams regarding the health of your economy.

Waveform and flows rising and ebbing. Coming like crimson tides in the waters of words flooding my mind’s. Aye.

A hum escapes and vibrates from my throat. A quirk. A noise I make unconsciously when roaming in my mind.

Have you ever surprised yourself by hearing your own voice?

I speak mostly through unspoken scrawls. My loudest voice comes from silence when speech is expected. Fishermen hooking attention.

The vocal manifestation of the underlying punctuation is realized through the intervals.

Rests between notes.

How many beats per minute in the measures of the sentences comprising your composition? Moving as do canvas and a pallete knife conjure acrylics into patterns.

All boats must be houseboats when afloat. They are the sustainable sanctums stopping you from dropping into the briney depths.

While it may keep you from taking the plunge immediately, it does grant you access to the deeper and deeper waters, where both stillness and churning are ever present.

Path-carving the sloshing surface.

There are seagulls cackling out “ha-ha-ha” from all around. It sounds much like the blahyadablah of the “hi. how are ya’s,” or like all adults to Charlie Brown.

There are no speed boats here.

No yachts.

Fast and flashy find no quarter.

How am I?

The shopkeep asks.

Good question.

I know that I am, but how it is that I am, I do not know.

Do you know how you are?

I make. I do, that much I also know to be true.

I smile and say “Oh you know, I’m covering the spread.”

I stop by the independent record shop.

They sell vinyl with a smattering of cassette tapes and other obsolete formats.

They do not sell CD’s. Great curation.

I got the cassettes below for four dollars U.S.

After asking the owner what the price is, I am informed the MD is a mix made years ago by an employee, to be played in the shop. It was given to me for free. The shopkeeper was highly amused at my interest in it.

I mention that seeing three albums by Mott the Hoople made my day.

The shop owner says: started my day with them.

He reaches under the counter and produces the album sleeve for The Hoople.

A sea of faces in hair.

Evidenced.

A child eyeballs me on the ferry ride home. Sliding closer and closer to me.

I say: I’m Casey.

S/he says: I didn’t ask you.

I say: I just thought I’d tell you.

Macy then tells me many things very quickly.

S/he worries deeply about the dangers of sharks when s/he takes the ferry, for instance.

S/he stops speaking briefly and stares at me and says: I think my eyelashes are like yours. We have the same eyelashes.

Vagrants.

Yesterday, I wondered if street people aren’t secret soldiers

and, gutter punks the new hippies.

Restaurants are life’s waiting room.

Offices seem like life’s tomb, while

The den of a living room can be a womb.

As good as a cuppa

I had slipped into sleep and fell deeply.

Ten hours later.

I microwave a cup of coffee from an old pot.

Function over taste.

Immediacy and no waste.

I snatch the cup by its handle, immediately after the ding.

Heat radiates into the nerve endings of my fingers and palm.

Too quickly. Hot sensation becomes burning.

I hold the cup midair, as the realization is apprehended.

I will my hand to stay clasped about the handle.

I lower the mug to the counter.

No spill. Nothing dropped. No broken glass.

It takes two seconds but the difference seemed an odyssey.

Time slowed as I accomadated° a mini-crisis.

°Courted a-coma-date.

A Comma.

I pay attention to your punctuation.

TimePassed

America’s PASTTIME.

emits/smite

step-

pets

MassaM

mist

time/s

Monday’s Hostess

It is nearly sunny over Puget sound by eight a.m.

My feet pound pavement. Walking to work.

A simple luxury of the highest order.

A man hugs three people outside the osteria,

one at a time,

ring around the roses style.

Lighting a cigar, he and his bulldog walk away and across the street to

my side of the road.

They precede me by about six feet as we walk.

I inhale deeply the spirals of smoke that follow him.

I feel less sheepish about the plumes of vapor I emit.

He stops to let me pass.

“Don’t want you breathing my fumes.”

“I was enjoying it.”

I was enjoying it, too.

“Showbiz Kids” comes through my cans.

Steely Dan’s Countdown to Ecstasy.

Five minutes later, I arrive at the cozy, little bistro located on Main Street. Two blocks from the water. I see the beach town’s Monday morning is already in full swing. Live and bumping with mostly silverhairs, at this hour.

The exception being a thirty-something couple that I wager is still out from last night.

They drink a lot of water.

(No one likes ice in their water here.)

I hum my hellos to the front of house crew.

I get mumbles back. It is early.

I announce my hellos to the back of house who are singing a song in Spanish that I have never heard. They wave enthusiastically. They have been here three hours longer than front of house.

Their coffee already kicked in.

11:05 a.m.

and, the sun finally asserts itself, breaking free from behind clouds.

This thrills and disappoints.

I am already sweating. The A/C unit has not worked since I started.

I am used to the heat from my former life.

I hear garbled voices rise:

“[Something, something, something] Moroccan immigrants!”

Followed by:

“[Something, something, something] So what?! People look at you funny? Big deal.”

I doubt he knows what that feels like, but

what do I know?

As he leaves, I smile and offer the obligatory: “Thanks for coming in. Have a good day.”
He halts.

“No!” he says, then approaches me.

Stepping in close.

“I had a friend and when people told him to have a good day, he’d say, “Don’t you ever tell me what to do.” “

I laugh and I mean it.

“Well, in that case, I sure hope you have an awful day,” I say with nonchalance.

He looks confused then smiles.

“This one, huh?” he says to no-one, indicating me with a finger.

“Didn’t you learn pointing at people is impolite?”

A Bath for archimedes

Ardor is ard(ours).

Come, I shall draw a bath for you.

Two glasses of Malbec.

Close your eyes and speak the words you hear.

I wish to take diction.

Victorian modernity mentality bound, hound.

Smile creeping in small doses.

Your eyes become 30 years younger.

You speak words softly.

Steadily.

Slowly

But, only at first.

My pen’s scratch against the paper changes. Surface tension of woven papyrus shifting with

Variations in the

coarseness of the grain.

The way my scrawls sound is how you felt when you wore your wool sweater against your bare skin.

White sox lay discarded in the corner.

Shea and lavender scents.

My body quickens at the gravity you begin using, speaking ecstatic poetry.

Body rush. Pert and tightening

to hear you speak in wild abandon, surrendering.

Clutter

She was clumsy.

She forgot other people could not

tell right away.

And, so, she had raced in and embarrassed herself with a bit too much gusto.

Or, so she assumed.

She wanted him to take her dancing where real players made analogue music in a room where people were still allowed to smoke. It would be loud. It would be crowded. And, their lungs would hurt the next day.

“Sing into my mouth.”

That’s what she didn’t say. But, she thought it.

“Did you really just ask that of me?” asks the voice of consternation. Her version of Jimney Crickett.

“How would you know ferocious?”

“Perhaps you have not prompted the ferocity in my nature.”

“Hum. It is there. Abiding patiently with a kind smile. To imagine requires a capacity for imagination.”

“Provocateur.”

“Hago lo que puedo.”

“You can’t always say what you mean!”

Matter is the matières of the matieres.

The contents of the materials.

The handmade amatory ambit.

The amatory ambit which I occupy indicates, to the ears of my heart, that

I am the succulent strumpet sometimes called succubus; and it is I to whom you succum/b. My scribbl/es are ascribed to Scribes, all of whom scrieve, for example, scriveners, a penman, and amanuensis.

~\~~\\~\\\\

Just scratching lead to papyrus.



Ambit: (n) that which bounds; a boundary; also the sphere or scope; circumference.

Amatory: designed to excite love, sexual love specifically .

Succulent: the quality of being juicy and fleshy.!

Strumpet: a prostitute.

Succum: as under a burden, yield; to die.

Succumb: to sink down.

Scrieve: to glide swiftly along; Also, to reel off, as a story.

Succubus: a class of demon who has intercourse with humans while they sleep

Scribbl/es: to write or draw hastily or carelessly; to fill or cover something with careless or worthless writings or drawled envelope; a piece of writing or a drawing that is done quickly or carelessly

amanuensis: (n) one employed to write from dictation or to copy manuscript like a calligrapher, copyist, or scribe.

In Latin, the phrase servus a manu translates loosely as “slave with secretarial duties.” (The noun manu, meaning “hand,” gave us words such as manuscript, originally meaning a document written or typed by hand.

In the 17th century the second part of this phrase was borrowed into English to create amanuensis, a word for a person who is employed (willingly) to do the important but sometimes menial work of transcribing the words of another.

Catchling calling.

You enter, please. Come to me catchling.

I hear you in the forest, leaves skulking.

I smell you just as before.

A little sleep following a long night jolts my mind into these new, waking dimension/s.

I turn

to look at you.

And, I know that I want.

I want with wanton desires.

This kindled flame did fell me before the universe in prostration to the sensation stirring in me.

I shall know you when I see you again. I see you everywhere.

My surrender to pursue the mastery of your pleasure and discomfort.

Your stoic stillness and

those heavy shoulders.

My reserved disposition conceals me

as I see past veils, into swirling thoughts of desires to devour.

Delectable with shameful kindness.

To tell you:

I want to.

I want, too.

I too want to.

Desire wanting after waiting

demands:

be wrapped in gossamer as I

shake you loose from yourself so you can breathe deeply

before me.

I am a trenchant blade.

The kunst of a trenchant blade.

Unity does not provide

immunity, imp.

Impunity.

I am held fast, tonight, by unseen forces.

Letting letters flash before my eyes. Solitary reverie.

A silent moment un-obfuscated by the conversations of idle chatter.

I got nothing to talk to anybody about

on this Night Ride Home.

[]

An attempted review of causal factors.

A language within a language.

An odd mood becomes me these past couple of nights.

An internal bio-rhythm harkening me. But what does it signal? To what effect?

Am I being daft?

I know that which I miss, but what am I missing?

What did I miss?

Miss his hiss.

Misses Hiss.

[]

The corona is the crown of a head. Not a crown worn on a head.

Korone, garland wreath,

bursting from your skull as effulgent plumes, loops,

and multiform streams.

Plasma was found to be the fourth type of matter in the 1920’s.

Plasma derived from the ancient Greek word meaning

moldable substance.

Lightning and neon light produces plasma.

Corona is an aura of plasma

that surrounds the Sun and other stars.

[]

I am unrelenting not ceaseless. I am the yield of not yielding in strength, severity, or determination.

However, constant and unending?

Like a northern star?

Where’s that at? If you want me I’ll be in the bar.

[]

Wandering star, Venus.

The Greeks came to accept

what the Babylonians had already known.

The Status Quo and Muddy Waters.

They dedicated

The

Wanderer

To Aphrodite.

Vespers:

Supper

Prayers to the

Evening Star in the

West.

Roman Hesperus and Phosphorous.

.Hesperus is to Venus. :: .Phosphorus is to Eosphorus.

nOn Sense and Reference.

《》

INTERPRETATO GRÆCA :: INTERPRETATO ROMANA

“Greek/Roman translations.” Interpretations by means of Greek/Roman models.

A discourse that is a comparative methodology used to look for

equivalence/s

correspondence/s

resemblance/s

《Pliny the Elder》

NOMINA ALIA ALIIS GENTIBUS

The translatability of deities as different names to different people.

The syncretism of the Hellenistic.

《》

Die Krisis der europäischen Wissenchaften und die transzendentale Phänomenologie.

Telos: an ultimate object or aim

Entelech: realization of potential ; the supposed vital principle that guides the development and functioning of an organism or system

The sēmeion as the signal evidencing the daimonion.

A Phædo.

To Nick a Horse’s Tail? Parçigal writes

I it is,

writing to you as A’ licentious Alice, a chalice, from AL by way of LA origin-ally, with houndstooth donned:

It is the sense of loving the moment. It is remembering the sensation of meta/physical love and then remembering the sensation of how it feels to lose it. That ache. That sense of how many times will they wreck me?. How many times will I play the Fool?

Again and again.

Why lose the Fool of yourself? If I killed the Fool inside to be hip, where did the real me go? With whom do you share your inner fool? Can guarding it be anything authentic?

In this mp3 and streaming world, a mix CD burned,

a cassette tape made,

breaks my heart right open. Is that why we have one?

This is not sadness; it is a necessary devouring of self.

A Happy Death.

My existential orientation continuously regenerates as at the point of origin, and I can be painfully patient; but,

does your silence actually speak: you are only useful until used?

Bemused at the thought. At you. By you.

And, a comma can change the entire meaning of a sentence: I say.

I know your way.

I knew before you showed me.

You play semantics and fancy it is a game?

<>

Splayed pieces parsed in preparation of a preheating oven.

The intimacy of this is but the sense of mind behind it.

I understood that years ago. I learnt it in a dream.

Tonight, I feel my patience hotly boil, as though I must make it into impatience simply to show you my elasticity.

You say: I’ve been here before.

So? I’ve been here forever: I reply,

Curtly but with a curtsey.

Here, where the desire to conduct currents raises meta/physical energy in the nerve endings concealed under my skin.

What a waste to not make use of it.

I would waste that energy on you alone.

Waste it in the face of

your silence.

I will howl until you howl back, to punish you.

Does that spook you,

you ghost of the man of May?

Giggle-snarl.

I espied your inconsistency immediately since taking my flight of departure.

Curious.

It was my mistake. I should not have allowed you to let me leave. I thought I was being kind, but I was only being polite. Stay. That’s what I really meant to say or do this time.

I abide still. I stoke fires. I test the limit.

I care for you. That is all. I can unconditionally hold you(,) dear.

My love is not tethered to needing love.

My devotion is my loyalty to my beloved. You endeared yourself to me.

I desire you. Now you must suffer the cost of your own, odd charms.

It is no matter of ‘should’ you, but rather, ‘could’ you

tell me true?

If you could, I hold you(,) dear.

If you could not, I hold you(,) dear.

<>

There is heavy magic in your air and I am magnetized.

Some integral things reduce to simple vibrations, to sounds, to sounds like bays, being transmitted through our air.

I wrote all these words first

in longhand to show you how inane I can be.

How frighteningly unafraid

you could be,

should you so choose, ewe.

Or, perhaps, your hands are tied.

Perhaps you have no choice but to be so.

I learn the record of your timeframes

still.

Deliciously diabolical it seems: both your pleasure and your desperation.

Does it make you forget which side of the road on which you ought to be driving?

Were you just checking out your mojo?

Taking me for a ride in your fast car?

There. Am I impressed?

Hum.

Good question.

Can you answer this: if I told you that your heart belongs to me now, would you hold your head up high in the air?

Could you even if you wanted?

Could you even say if you didn’t?

The difference between ‘can’ and ‘may.’

Simon says he went birdwatching but only saw his own feet.

Not many birds to be seen in that scene?

Just grounded, flightless birds, you adorable dodo.

<>

I saw a porcupine ripping out its own quills,

one by one by one,

by one at a time.

Onlookers horrified at the sight of so much blood.

The porcupine stabs them while they are stunned into stillness by the reverie-stupor of their surprise.

Slaying ampersand slain.

I see your look of discomfort at this friction.

<>

There was a slight drizzle of rain

as I laid myself

down to sleep early this morning.

I imagined how lovely it would be to

put my hand about your pelvic flair.

The jut of your hipbone.

Cup it like an anchor to

hold me fast

in what dreams may come.

[☆]

The night sky was so poorly lit, that I could see

moths flying away from it.

Fleeing the lack of light is not the same as seeking a light.

I raise my lantern for you tonight.

If it is lit

it is done so through and not by me.

But, for you is for whom I raise it.

A beckoning through a beacon.

Here is your

sea shore.

Fall, like a wave, upon me.

Surrender your summer-self and embrace the autumnal ewe, you.

Water, no ice.

I seat you.

I put down

Menu/s.

Menues.

minutes of

minute

minuettes

A fun dance, perhaps,

Menuet?

<>

Your food arrives.

You chew and

Swallow it into your

hollow.

Hallow and also

a shallow wallow.

Low halls, and(,) walls.

<>

Allow

how many commas in the Oxford Comma?

Coma correction.

<>

Your indignity makes me indignant.

Indigestion is caused by digestion but not

by the undigestable.

Watch “TOOL – Fear Inoculum (Audio)”

No rights: homage to a band I have loved for two decades.

Giggle. Despite myself.

New track released today.

Get the inoculation.

Get their music. Listen to it as an album.

Seriously. Howl excited am I? Too excited.

Belligerent B’s

break

bread.

[tread the thread]

breadth read, dear.

red

breath. rath. dare tar he/r.

breathe bare, bear.

here

hear

her beat- tab.

hearth- the heart,

ear at the earth.

<⊙>

heat herb tea. bard art. he

bathed at

Bath.

bather: hare; bat; rat.

rate brat hate

[TARE]

Parçigal Passionately Possessed

My deer, stag,

I it is.

It is I binding you in this ecstatic existence, suspended between

the Star and the Satellite.

The sun and the moon; yet, it is you they call Janus.

I am the feminine, arched gate-way granting the descent of your

spirit into matter anew.

I do not redeem, I conduct currents.

The sea of PARChVAL is the conjunction of /K/ and /C/.

I am the sea, KC, the reason

a /z/ becomes /c/

Parzival becomes Parçigal.

Congruence creates /Ch/

Why do you think I remember my name is also /Alice/, at least sometimes?

KC becomes Ch(eth) and conjuncts to /Alice/ through a confluence of circumstances causing me to recollect that I am

A ChAlice of Ecstasy. A grail.

GRAL, deer Parzival.

moon and sun

known to gods and, simultaneously, known to k/NO/w-One.

Socratic circles unaware of one another.

Let us ignore the voyeurs gawking at love’s blazon painted on our lips

We exhibit authenticity in current, capacity, and conduction without being simple exhibitionists.

They tricked you into believing you are the monster and me a prize if pure.

Howl silly they were.

I want your masculine beauty, that prettiness you cannot see,

to come

to love

the feral beast I conceal in my hotly, howling heart.

I show her to few outside the eyes of ewe.

Come

sit beside me and show me ewers.

Let me call you a pretty thing, fellow.

This gal knows objectification as well as the absence of it. All gals do.

It becomes a bore, sweet sorrel.

They taught you the trick of objectifying

Let us trade places, like swapping clothes.

You may become the direct object of the verb I enact.

I will do the work because I want to see if it makes you squirm.

To see if it makes me squirm to do.

The embarrassment of being kindly admired.

The sensation of feeling yourself being eaten by the eyes of another.

Empty yourself so that I can see you better.

So, I can better show you yourself as my eyes see you.

My mirror may reflect the unexpected.

Do not spook, unless you must,

when you discover you are the Dove and I am the female goat.

Secret she-satyr.

Why do I think we should go on?

Because what else is there to do?

As far as I can tell, ain’t nothing else happening at all.

Shall we find something which makes us belly-laugh?

Care to cackle along with me?

Cast upon me your strange glances, my deer-man.

My irises drink them like wine intoxicating my soul.

Straddle two shores of consciousness:

with one foot in every-day

and one in ecstasy.

In a balanced imbalance.

Our wabisabi is our Tao.

Tell them that they may call us by the handles

Priapus & Pearl.

Those dummies don’t know that my mantle is reversible.

They only see the dark side, the light side; and they leap to the conclusion

it must be so below, on the underside that is hidden from view,

as it is above.

It is red where the two sides meet.

The red turns green when I see you;

although you cannot see it,

you can feel it as a sudden drop in ambient temperature.

Being bespoke, not beholden.

Not needing, choosing.

Bound in the unbinding of wearing each other’s invisible maverick’s branding.

They will know us by

howl freely

we move as ourselves.

Our brand is authenticity having no mark burned into the skin.

A silence screaming: simply see and know.

Be still for me and feel the essence of softness?

Make your hardness melt into delicious vulnerability?

I will call you /Sweet Thing/ in such moments, derelict deer.

And, I will wonder at those instants when your eyes cannot meet mine.

I will call them up to me without words.

Your eyes will go wide, then soften to

see me look upon you with such hard eyes.

This is how

my femininity penetrates you.

All this I can do while

taking care

to not stomp the little flowers growing underfoot.

These are the open secrets of our Tao.

Inner sanctum unseen by the sleepwalkers.

Methodology provoking zealous jealousy in awoken ones.

They see us and cannot remember

if love differs from devotion.

I can show you how to move mountains.

It is as simple as letting yourself hold my hand.

I hold the world for ransom when I take your face between my palms.

Unspoken psalms.

What comes next

be-comes

unspeakable.

Just like Tao cannot be apprehended through words

(only hinted at)

It can only be obtained

through direct experience.

Tangential Orienteering

I walk to the new gig. First-day-of-school-style outfit donned. Old, fuzzy threads, nonetheless.

I espy a blanch in a branch of the shrub, with wooden threads of splintered

timber;

And, my mind initiates the below (tangent umpteenth).


That timbre of timidity from the ghost mice scurrying under my feet,

running like a wide river at a moderate water pressure.

They can give your toes an itch or a twitch.


Quick as you please, I leap to the limb.

Back to the blanched branch which is

splaying, shredding, snapping,

no longer bending.

Critical load bearing exceeded.

The shrub shrugs

it off like a crab with a too-tight shell.


I was warned it was awful hot

to walk to that new spot.

Do I want a ride there in your car? Thank you, kindly,

but, nah.

I forget how to breathe in those things.

I cannot forget how to breathe when walking

in the heat.

I arrive to do the job and their A/C is on the fritz.

The windows bring the sun in full frontal until night falls.

Hotter than the hot outside,

front and back of house have been sweating it out longer than me.

Spots of,

the sheen of,

sweat in my hairline,

on my neck’s nape,

curling strands; and signaling:

simpatico.


sections within floor charts ; table numbers ; two and four tops ; spare chairs ; polished silver.

A dining room

laid out.

Down.

She told me: I make circles and keep up everything with my eyes. You can circle the floor without hitting a wall and having to turn around abruptly.

No dead ends, eh?

I remember walking these circles with open eyes: I think.

I smile.

Unposted Letters Containing Letters.

I found an old letter

I had

written you.

Unposted despite having postage.

I let it age for you, ewe.

I could no longer read my own hand.

In my cans, no-one speaks, as I scribble this idyll for the popular, un-idle, idol.

Casting pods like fishing nets

sewn by hand.

Longhand and cool-handed.

Nothing in my hands.

A

Little something kept on-hand.

The noon approaches and I remember the rattlers.

Snakes giving fair warning: kindly, don’t tread on me.

Whispers of wisteria wander.

Shouting sprouts ready to be snapped then snatched from stems.

Quiet quilts covering made-up beds.

Panting pansies parched for water to partake.

What’s the plan?: he asks.

Wait and see?: I sheepishly speculate.

Why do you do what you do?: he asks.

Because, I can. The difference between ‘could’ & ‘should’ still alludes, though.: I say.

I walk the aisles of miles between your vines. I share the plants’ oxygen and they rebirth my breath.

Gaseous exchanges of my alveoli.

Nitrogen; Oxygen; Carbon Dioxide.

Periodic tabling with held breath.

Breathe, you; I hold my breath, not for you, dear sorrel,

I hold my breath for naught

other than myself,

for my next step.

I take the rite of alternating left foot/right foot,

Of being pedestrian.

I told him: I’m better on my feet.

The voice came through my cans

and said: I function better with the sun in my eyes.

I misheard it as something filthy and smile in realization of my mistake.

My eyes are moons whence comes all of tomorrow’s noons.

Day-suns.

Ræ-moons

floating in bluə-day skies,

stormy and grəy, like your

Sky-eyəs over a

choppy, white-capped səa.

Hardware Store

I stopped by.

The lady at the register compliments my manners.

“I am from the South,” I say.

“I know that,” she says.

[Shrug]

She says: I don’t believe in tearing down statues.

I intuit that she is okay with the tearing down of statutes.

No one thinks they are the baddies: I proffer.

A-Literative

Addages of advantages add-up

additionally.

Arithmetic-ally.

A-Rhythmic-ally.

Anxious, ancient hearts, aristocratic.

Aristotle-an.

Arrestingly adriote at a drop of a pin.

Wry-neckers,

A-wry.

Awry other-wise.

Unscreened Skin

Gravity is different by

The Sound.

It pulls heavy and only at

obtuse angles.

Obstinate ampersand obdurate.

Reorientation of the body required.

Leaning forward or back in

pendulous periodicities.

Diabolical hills slanting, paving the path into the noonday sun.

We no longer need wings like Icarus to get

close enough to be burned.

To melt.

Beadlets of perspiration drop into my eyes.

I pretend it stings with the sunscreen

I forgot to put on me.

I am not made-up.

No protection from the ol’ grease-paint.

No quarter from the shade of trees, these days.

Freckles bloomed on my face two days ago.

I catch full-on colo/u/r, now.

An intersection provides me two options:

i) turn 90° and

go horizontal.

ii) climb to-wards the sun.

Y-axis at the point of origin. Straight vertical.

I go up. Higher.

My breath catches-up with the momentum of my stride…..

…… 30 seconds later.

My heart catches my breath

…………60 seconds later……..

I reach the near-top.

False tree-line, per se.

My face suddenly blooms into a rose.

Red. Ruddy.

Like someone made me blush rather too easily.

I relish.

I smell active.

I actively smell

through nasal inhalation

and oral exhalations.