I Tense My Neck

With back straight,

Í asked you, “do you try hard too?”

The snow reduced me to pencil,

#2

Bleeding out my pens proper.

Wondering about that table of six í auto-gratted

in the Tavern five years prior.

My lead cracks.

Mark darker.

And then í find,

one pen left in my fold.

Shortstop

Between run and go.


A dash of dalliance

Unconcerned with with prose that came before

Or wilt

Would be.

Her hands would shake?

Ledges are not only

but also for leaping.

They told me “no.” Which is always within rights, but í was left confused.

Í cannot remember asking anything


Lend a

Hand, right?

Play your vinyl

Remove the album sleeve.

Put your diamond down, glasscutter.

45 rpm.

I see none involving nengk.

I feel like a chemist when I boil water.

Astood upon three toes.

Oops

now four.

And the sky matches the ground.


He told me we ought to blow it up.

The snow.

Cuz of the moon.

An allotment of the ailment is being carried

By wagonmasters & confronters.

I pay attention to your punctuation.


Sometimes my teeth bend but don’t break in my bad dreams.

Of getting ready for Gertrude’s party

That never happens.

Disproportionate response.


Unreeving.

Receive the rowen.

We worked double overtime.

And looked into your mother’s eyes.

She could not smile then but she does now.

As assiduous as inexorable is

My final defenses are indeafsible.

A prerogative disinclined toward extravagance,

As much as the silver sliver of

The new moon is caustic

And the lurdan lurid.


The succubus and incubus work in tandem.

One pulls rope and the other gathering eggs.

No small surprise they work in sleep’s misty revue.

A dæmon to a dreamed of demon that never derived from the proper diabolical.

A small child born.

A mom and dad.


And suddenly you stroke your chin,

And I miss my train

Of thought again.

Scraps of yellow bits scatter my room

And I sit indian style.

Crossed.

Bow drawn. Arrows all a’quiver.

Quivered and quivering.

Set asleep amongst the Ingessana Hills.

Children recover souls they did not know

They missed.

We are the doctor-diviners with a sleepy second sight.

We dream the dreams the sleepers cannot fathom

Until awakening.

There is no need to fear.

I see none involving nengk.

A Concealment of Collective Nouns

Morbid effery from the monkeyed,

Landed gentry.

Luxurious as late night coffee with heavy cream.

Laden.


All the crawfish fixing to get boiled.

Cloves of garlic

Resting on claws

Coalescing correlations.

Corrections to iterations

Deshelled and /de/tailed

Consumption.

Silver eyes against armor-alled all red

Whiskers a’faced to

Terraced tails.

Rampant mud and bug

With a dropped bouquet.


The slow crawl of the limited engagement

Leaves above my head.

Shining.

Í will make you look up and remember the sky.


You forget your breath

(Ampersand)

You lose a life.

I forged injunctions

Duplicitous & with steely reinforcement.


Silversmithing.

The pleasure of the written word. Consummate.

The change in our handwriting over time.

Fingering out your new font

Of pen scratch.

Scrawled.

Sprawling.

And my rhythm dictates a tempo for our saraband.

Shorthand.


You should always carry a handkerchief.

Cotton is fine. Print or naught.

It is not you that will use it

Anyhow.

So remove from that top drawer.

Overly ajar.

《》

A black rectangle

Framed in an indigo field. Ræching.

《》

What do we know of destruction?

Or why the paper need be canary.


Elongation in enunciation is

A mispronunciation.

Two blankets for the two ankles outside

Tonight.

Headed stones of fuzzy beasts

Sette

Atop footed cherrywood.

Vascular knotted circuitry

(<subterranean>)


A slip of the hips,

a flick of fingers.

Full affront of the suites

Merely one of a sort of resorts available

To your privy.

The pluck of pages.

Should they dissuade?

Is it prey to the præter-?


They said some really mean things about some really mean people. What do you suppose that means?

Felled and befell.


Sometimes it is hard to tell an l from I from a 1.

But no one ever mentions this.

A notice noticed. Even if misunderstood.


I drank the coffee to stay

Sharp in my sleep.

I sleep with a steno

Padded

Petrified enfossil.

A sordid seizure of a hardened fruit pit.

Dishollowed.

Where countenance meets disposition.


Heavy like

Wet denim.

Awhite awit. De-lis

Whirling padded fan blades

Belt around in circles.

Encircling.

Edifying eddies of easy breezes

Above me.


Pink & blue light

Nearly a wishing sky meandering on my wall.

Reflected

Then

Transposed.

Everyday reaching one more yard.


Poised.

Discomposed.

A’teeter

Totter.

Topple.

Someone fell down?


Afront.

In front ampersand behind.

(All a front for)

A’cold

Front

A’coming

Font.


Red rocks the remain

chilled & a’cold

/Des-/In spite constant sunshine.

To spite.


Spritely

Bell Rock

Pealing.

Bells.

Belle appealing.


Upturned. Un toward.

A forward.

A’front.

Word afore


A nameless, unspoken

Fleur

Another Antick (Funk & Wagners)

Definition in musical notation.

Too lovely.

A sun pokes through

My appendenages blanch the blankets.

My duvet is a pacific northwestern grey sky.

I wore it in my flip flop dance of toss and turn all night.

Third pillow fastned tight between legs and arms.

A downy company warmed then warming.

Vigil in anticipation.

Of the bed not being an ocean, but perhaps a sea.

The release of tides of sheets leaves me drenched

In cold morning. I do not mind.

Flitting.

Humming.

The cat begs attention and food.

Stalking her way into my awareness.

The snow play of last night is a black and white still.

Outside my window.

I replay it in my mind’s eye.

Then a sun appears

And everything shimmers.

Shivers of strings

Of colors falling

On blanketed.

Letters

The chain letter of et al. saluted the Dear Gentleperson.

Lines of lives that move as

lilt, lag, loll.

Silicon sand and office rebrands.

We measured the sheets of snow in ankles,

While the neighbors line stood-up dominoes in rows.

And we all leveled latitudes,

gauged by arcing sways.

Poly-sal’ went acourtin’: Orientation Day

The tradition of Courtly Love in literature comes in three types: allegories, lyricals, and romance (aka færy tales).

In prudence of full disclosure, be aware that Richard Wagner’s opera was tentatively titled Parzifal (just as WOLFRAM VON ESCHENBACH had titled the protagonist) until 1877, when he switched to the handle Parsifal. This change was informed by one theory about the origin and etymology of the name (Perceval > Parzifal > Parsifal).

Vidēre licet the name as of Persian order Fal (Pure) Parsi (Fool).

At this time, your historian has been unable to validate any other origin theories for the name.


Though we shall encounter, virtually, every story ever told within Parzifal, a breakdown of the tradition of Courtly Love and Chivalry during the High Middle Ages as Eschebach tells it is justly prudent.

We concern ourselves, as the reader, with (1) Provençal troubadours, (2) French trovères, and (3) minnesänger.

I’m Wolfram von Eschenbach. I’m a bit of a minnesänger.

Note that Eschenbach states that a Provençal called Kyot (my research suggest Pyot to be a correspondant name in other texts) sent ” the book” to him.

Of keen interest to your historian is the patron enabling Eschenbach to afford the luxury of his composition. Wolfram was under the patronage of Medieval German Mæcenas Herman Landgrave of Thuringia.


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The tradition of Courtly Love and Chivalry during the High Middle Ages as seen from the Critical perspective:

The overall gist, to be concisely reductive) of works concerned with courtly love seems to be the romance of self-perfection in knighthood, where both the chivalric and the spiritual receive their due as part of Love and Sensualism.

Parzifal had the knowledge of chivalry concealed from him until he was of an age able to think for himself.

In C.S. Lewis’ Allegory of Love, he presents the literary tradition of courtly love to include four basic characteristics: humility ; courtesy ; adultery ; Religion of Love.

A feudalization of love.

We will consider the meaning of the above shortly.

The genius of the above description will be revealed in history of words.

Textuality

Metatext (analogue ; tape ; printed to paper)

Light falls upon pages.

Back light shines from digital pages.

Labyrinthal Laboratory Conditionals

Knecht leapt years ago into the black water of the river.

A leap of faith made in the face of a numinous bemusement.

A mæstro professing the art of conduction.


Cantos ; stanzas ; quatrains ; sections ; headings ; chapters ;


The function of any value such as x wilt result in a set of potential solutions.

f(x) : {set}, {set of the set}

yields Sentence G.

Godel’s lyric.

Taken from a song called Settes.


Cantos: sections dividing long poems.

– ORIGIN C16: from Ital., lit. ‘song’, from L. cantus


Dante sang poems in one hundred cantos.

The infernal first album of nine is the only one that hit the record charts.

Bemusing that he still writes lyrics and songs after his exile from Florence.

The courters and patrons of knightly chivalry frenzied in feigned, immodest outrage at the song of attack (quite poorly executed too, it is said) that

he played his Lady.

But he keeps on playing.

A fine equestrian he would have made.

Socrates and his diatribe will be with Dante shortly

Cursing Odsyyeus again, malifacent Man in Black: agent of injustice to Ajax.

The fellow-temple servants redeemed Parceval just yesterday.


Maestro Virgil’s rock n’ rolling opera

Nine lines feed nine recorders.

Eight channels receive live feed.

Three mixers temper.

A music master architects.

The 1 audits the confluence of the Take Stream.

The 1 who will stop the band,

called And the Band Played On,
only long enough to

allow them to listen.

Players eager to hear themselves.

Impetuous.

Feedback looping.

The impetus of the 1.

The effect of showing the parts their whole.


Any system aware that is under observation is changed by the very act of being observed.

An axiom accepted and admitted to be a theoretical, not practical, concern.

In theory the results may be nullified.

The axiom is ad hoc. Improperly derived.

Invalid even if accurate.

As Wittgenstein’s Mistress, it behooves me to ask this

Question for the Vienna Circle:

Now that you have observed that the act of observation changes the observed,

Do you ever worry for the assured changes in your method, institutions, experiments, results, or selves?

As you observe the knowledge of this observation affecting your observations and that which you observe?

Or is that just another theoretical problem too?

~

Just an observation from this lovesome dummy.

Auto-Transitive

Calling out for collection.

Just a collect call or two through conductive cables.

Throw me a land line.

Far too tangled as between

the trident’s skewers under this sea.


I woke up here,

From a saga of the strife-filled dream of another.

Am í of this dream?

Nave, Knave, Navel, Novel

In this sphere, am í finally loųe unfolded?

I have already been so many things.

I feel weary from all this dreaming.

Again. Rising ignorant and beside myself.

Alone, in barbarous prudence.

Hand-made

Handmaid

Maiden

Maid

Mave

Maven

Litle blue polka dots over my ivory stretched canvas.

Pyramid built for a moth.

Knights vainly going to nowhere fast, keep passed.

You Pure Fools will do fine if you do not hide your eyes.

Troubadours, minnesängers, trovères, you already made a feudalization of loųe

Diabolical idiotēs, you are well-endeared.

Venus stays near as my ally.

I carry but a cordon as an ornament of beauty.

My other hand holds a lamp.

Needing enkindling.

Pyramid for moth.

Conducting that underground current into specific key sites.

Where lode-stones are meticulously fawned over through ritual, mysticism and magic. Pressing them firmly into earthen mound prepared.

I feel as though a hermit knight tonight.

I feel like Persephone waiting for the weather to change.

And now I am Kore: Made. Maiden. Mistress.

But Babylon awaits. So I shall abide.

In lovesome patience, heavy.

Parsigal Proem by A. Ladder

The words really do get curious and capricious. I am Alice Ladder; and even the hair on my arms stood on end. Hair-raising. Un baffoon ambulent I must have appeared on my walk home.

Parcigal is lovesome, diligent, loyal and kind. But the gal is also lewd and licentious. A real hærlot. Engaging in all sorts of hærlotries, and what not. She is a complete philolofile. Thinks she’s pretty funny.

Vitz. She really likes words and is a lovesome dummy.

Before we meander Hear I make three formal remarks below. The rest is simply me doing my best.

Alice Ladder

Carroll, VVündųrlvnd

TIMESTAMP: 07/09/10 15:00


》All knowledge is nothing more than symbolism.

》》 Word is bond and magic. Be impeccable. Do not use it against yourself either.

》》》What you see inside the mirror is just an image of reality; which means it is virtual reality. It is a dream.


Revælation

i. surprising disclosure of a previously unknown

ii. remarkable thing

iii. supranatural ; præterhuman ; divine ; daimonion

*remember that we must distinguish between a homo dormien (sleeping human) from a homo vigilance (waking man).

“A private individual.”

hermit

Just a “fellow temple-servant.”

Homo-doulus with the swans kuknoi.

Word has it that Socrates believed his master [despotēs] gifted him a prophetic capacity [mantike] not inferiors to that of swans.


Metathesis: transposition or interchange.

Metastatics: change and shifting

Metatithemi: interpose, change a meaning.


¤

Maverick.

Pure Fools talk freely.

So listen closely.

Everyone’s gonna shout.

Babble on anon, anon.

Dr. Martin Luther King Jr.: Birmingham Campaign/Project C

images

 

“When the history books are written in the future, somebody will have to say, ‘There lived a race of people who had the moral courage to stand up for their rights.  And thereby, they injected a new meaning into the vein of history and of civilization.’   And we’re gonna do that.”

Martin Luther King Jr. @ Bus Rally in Montgomery, AL. Dec 05,1955

That is how you speak in a mythos that all can understand.  


Magic City

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Five Points South water fountain. Five city streets converge into one confusing intersection.

I lived on the same Birmingham city block as Dreamland BBQ (2nd location) across from Wilson’s Market. The University of Alabama at Birmingham (go Blazers: best mascot in the state: dragon!) is about four blocks away. The ‘professional downtown’ area took about 4 minutes to drive 3-ish miles, over bridges with railroad tracks below. It is a shell of almost-skyscrapers. Sky-risers. Many blocks look forsaken.  A seeming majority of professional spaces in these older buildings sit empty and yet, next door you will find the home offices of several major American Banks, Insurance Companies, etc.  (Circa 2016 from memory).

All or nothing. 

Sloss Furnace looms like an industrial dreamscape an installment of Clive Barker’s Hellraiser universe.

I also lived quite near a number of historical sites that witnessed the struggles of social revolution. I lived in this area 30+ yrs since childhood. I went to public school. The memory of this time is very much a still a live, shared cultural memory. A work in progress. The future needs some magic, leadership, and kindness. 


Birmingham incorporated in 1878. Already, there were 20–25 major iron and steel producing blast-furnaces and companies in the Jefferson/Shelby county seat. The name ‘Birmingham‘ was picked to correspond with Birmingham England (the center of that country’s iron industry.) The new Alabama city boomed so quickly that it came to be known as the “Magic City.” It later became known as the “Pittsburgh of the South” after the Pennsylvania center of iron and steel production. Jan 8, 2008 downloadThis tribute to local deity Vulcan looks over the city and protects the workers.  Many, many moons ago, his arrow would shine at night: green if there were no casualties in the steel/iron mills & red if a person died working.  This was discontinued after the number of red light nights began accumulating to a simple majority of the time.  The citizens found it distressing.  The light was removed.  I cannot be sure, but assume this resolved the problem and decreased the number of deaths substantially. Ahem…..


1963, Birmingham, AL USA: QUICK FACTS

  • “probably the most thoroughly segregated city in the United States,” according to King.[6]
  • city’s population nearly 350,000: 60% white & 40% black,[7]
  • unemployment rate for blacks was two and a half times higher than for whites.[8]
  • the following professional limitations existed
    • no black police officers, firefighters, sales clerks in department stores, bus drivers, bank tellers, or store cashiers.
    • Black secretaries could not work for white professionals.
    • Jobs available to blacks were limited to manual labor in Birmingham’s steel mills, work in household service and yard maintenance, or work in black neighborhoods.
    • When layoffs were necessary, black employees were often the first to go. 
  • The economy stagnated while the city shifted from blue collar to white collar jobs.[12] 
  • Fifty unsolved racially motivated bombings between 1945 and 1962 had earned the city the nickname “Bombingham“.
  • A neighborhood shared by white and black families experienced so many attacks that it was called “Dynamite Hill”.[14] 

Project C

download (1)

Protest organizers knew they would meet with violence from the Birmingham Police Department and chose a confrontational approach to get the attention of the federal government.[22] 

“My theory was that if we mounted a strong nonviolent movement, the opposition would surely do something to attract the media, and in turn induce national sympathy and attention to the everyday segregated circumstance of a person living in the Deep South.”[21]

Wyatt Tee Walker, one of the SCLC founders and the executive director from 1960 to 1964, planned the tactics of the direct action protests, specifically targeting Bull Connor’s tendency to react to demonstrations with violence:

 He headed the planning of what he called Project C, which stood for “confrontation”. Organizers believed their phones were tapped, so to prevent their plans from being leaked and perhaps influencing the mayoral election, they used code words for demonstrations.[38]

The plan called for direct nonviolent action to attract media attention to “the biggest and baddest city of the South”.[39] 

The final day the arrests totaled 1,200 jailed protesters in the 900 person-capacity Birmingham jail. 

King wrote his essay “Letter from Birmingham Jail“. It responded to eight politically moderate white clergymen who accused King of agitating local residents and not giving the incoming mayor a chance to make any changes. Bass suggested that “Letter from Birmingham Jail” was pre-planned, as was every move King and his associates made in Birmingham. The essay was a culmination of many of King’s ideas, which he had touched on in earlier writings.[55] King’s arrest attracted national attention, including that of corporate officers of retail chains with stores in downtown Birmingham. After King’s arrest, the chains’ profits began to erode. National business owners pressed the Kennedy administration to intervene. King was released on April 20, 1963.


The facts of the dogs and hoses, bedlam, and barbarism is imprinted.  But King’s language and lyricism during his lifetime would feel right at home alongside the best strings of words that world and classical literature has to offer.  

“The right to protest for right.”

“When you are forever fighting a degrading and degenerating sense of nobodiness…”

“Grim and bold determination…grim and firm determination.”

“If we are wrong, justice is a lie.”


download (2)

Many public domain documentaries can show you the footage immediately following the rally.  Here is my summary of one of the most poignant documented parts of this entire Birmingham campaign.  

~

In an attempt to handle the anticipated volume of arrests of public demonstrations, Birmingham authorities brought in the big yellow school buses, proudly proclaiming Jefferson County School on the sides, 

Dr. King Jr. fills the Birmingham jail with arrestees from demonstration activities enacted over the past few days.  2,500 people were arrested in total and held in the 900-capacity Birmingham jail.  Genius. The arrestees were very nearly in number severe enough to overwhelm their captors physically, should they choose to.  They did not, of course, but Bull O’Conner saw what could have happened. 

The city at stalemate.

“Laying the issue before the conscience of local and national communities.”

While arrested, King very clearly defines that for which the movement campaigns.  He calls them “requests”. Adept.  The very reasonable nature of these requests and the disproportionate reaction by segregationists shocked the country.  It turned out it was VERY different in Alabama.

  1. Desegregate restrooms, lunch counters, fitting room.
  2. Allow employment access: “have black clerks, salesmen and women.” 
  3. Drop charges against those arrested in the demonstration.
  4. Appoint a biracial committee to solve bigger issues with time-table settings     
    1. Desegregation of schools.
    2. Reopening city parks, integrated.
    3. Maintaining compliance with federal court orders
    4. Fair hiring in municipal organizations, including the police.

With great fluidity the demonstration rapidly disperses from the church, issuing onto the public sphere. No yelling, no first pumping aggression.  People stream out politely; there is no human spill over into the road way; there is no trodding over “other people’s grass.”  It is orderly and almost like a formal dress code was needed to join the campaign.  People looked sharp.  Jackets and slacks with ties.  Dresses, hose, small heel, nothing immodest. The Birmingham authorities wore collared, short-sleeved pseudo dress shirts. The police uniforms aired of casualness in uniform.  They were in uniform. That’ll do her well ‘nough.  My assumption is their time was spent mobilizing shields, gas, hoses, dogs, practice runs and meetings to review.  That was their focus. Such a large number of people dressed decorously makes even the smallest wrinkle in uniform, the slightest slag of an unpressed pant, the casualness of the collared, short-sleeve work shirt, tie-less, top button undone, highly noticeable and suspect.

As a lone policy car siren wails upstream this human river current, it is able to drive easily along a defined and unobstructed roadway. The car might feel encroached upon, but not infringed on by the demonstration Mass; most of whom now smile, broadly and even wave a joyful hello to the cameras which are taking them to living rooms all over the country. Even the little kids know it is ok to be excited–after all the nation just saw. 

There is no yelling or antagonizing from the procession of the rally Mass. There is music audible and sung in sincerity.

Then the camera pans back. The police encroach the scene.  They are already certain physical violence will break out when the Mass gets to the streets. 

This explains why they bring weapons, dogs, body armor and shields.  They expect and planned for various eventualities in preparation.  They are nervous.  They are being filmed.  They are scared to engage. 

The first two or three police show up on foot “to see what’s going on here” and generally “just wanna make sure we aren’t gonna have no problems, here today.” The Mass gets antsy at their presence but does not provoke. Nods and waves of hello become bitten thumbs, emasculating mocks before a television audience.

The first handful of cops seem to struggle with identifying who exactly should and should not be arrested–appearing, at times, to choose indiscriminately. Then they brought out the dogs and simply let them choose.  Now, a smooth river of people flowing turns into a stewing churn of confused particles. 

You have heard the sound of what follows as more cops arrive: frenzied barking, panic of voices, whoosh of water bursts. in. spurts. Monsoon pouring onto concrete for 15 seconds. Ceasing. Beginning again.

You can fill in the blanks.  That part of the story is very well-known. 

Background Research on the Parz/sifal (original Perceval) mythos

 

The story of Parzifal crossed my path while reading a Sufi meditation manual. It stated that Parzifal failed because of an incomplete mantle of light, leaving him exposed. He had gone it alone and did not have the band to back him up. And much like every new word, once uncovered, I see this mythos everywhere. So what up with that, huh? I did a little digging. Relax, more like playing in dirt. No one has to do real work here!


Within the mythos the following name variations exist

Percival-Knight of the Round Table in the King Arthur legend

Perceval-romance written by Chrétien de Troyes

Parzifal-romance retold by Wolfram von Eschenbach

 

Parsifal-Richard Wagner’s opera based on the written poems.


 

 

Parzifal is the retelling (ending included this time) of the unfinished romance of another, the Perceval of Chrétien de Troyes whose poem is the earliest extant narrative, known from its prologue as Li contes del graal or ‘The story of the Grail,’ though he claimed that his own patron Philip, Count of Flanders, had lent him its ‘book.’

Wolfram von Eschenbach is heralded as the Medieval German narrative poet. Not too much is known about his life aside from things like how long it was (b.1195 to 1225ish) and other ticky tacky information such as his being born into a Bavarian family of the lower nobility. Mystery and intrigue do appear: He may have served a Franconian lord but as a ministerialis or ‘unfree’ knight bound to serve a lord. Qua knight, he defended his honor anywhere and was also able to change patrons, as he ended up finding his main patron not in his hometown but in Thuringia with its many Mæcenas, like Hermann I. Knights ministerial were the main bearers of the great efflorescence of secular poetry in Germany. Poetry emancipated from clerical domination during the first half of the Hohenstauffen period.

“Many passages of the original have virtually no syntactical structure–Parzival is definately no book–and so the bare act of translation has inevitably tidied them up.”

Translator A.T. Hatto (org.1980; reprinted 2004). Parzifal. Penguin Books. London, England. Foreward p12

Born to Louis II Landgrave of Thuringia & Judith of Hohenstaufen, Hermann I was born into Ludovingian nobility. He welcomed societies of letters and Minnesänger to his castle, the Wartburg. From 1172 to 1211, the Wartburt (‘watchtower’) was the most important princes’ courts. Eschenbach, in 1203, wrote part of his Parzifal here.

Minnesang is German for “love song.” This tradition flourished during the period of medieval German literature starting 12th century continuing into the 14th.

Minnesänger (aka minnesingers) referred to people who wrote and performed Minnesang.

A single song was called a Minnelied. These names rooted from minne, the Middle High German word for ‘love,’ which was the Minnesang’s main topic. This reflected part of a larger movement occurring during the High Middle Ages which included the Provençal troubadours and northern French trovères: a written lyrical love poetry, concerned within the tradition of courtly love and chivalry, sometimes vulgar, funny, intellectual, formulaic, even metaphysical.

For the French trouvéres, ‘courtly love’ expressed erotic desire as well as spiritual attainment (and all the spaces between them). A love at once illicit and morally elevating; passionate and disciplined; humiliating and exalting; human and transcendent.

Eschenbach asserts he follows the one “Kyot the Provençal,” sender of the ‘true version,’ that supplied additional material drawn from Arabic and Angevin sources. Many scholars consider Kyot to be of Eschenbach’s imagination, thus part of the fictional narrative. This ignites a controversy. Should the remarks be taken at face value or was he speaking in the way of scholars initiating paradigmatic change: not impassioned against his predecessor as much as being ironically respectful of the ones who came before him, even if he essentially mocked them while recapitulating them to his audience.

German composer Richard Wagner loosely based his opera in three acts, Parsifal (WWW 111).

Wagner’s spelling of Parsifal instead of the the Parzifal he had used up to 1877 is informed by one of the theories about the name Percival, according to which it is of Persian origin, Fal Parsi meaning “pure fool.

Unger, Max (1932-08-01). “The Persian Origins of ‘Parsifal’ and ‘Tristan'”. The Musical Times. 73 (1074): 703.
ISSN 0027-4666

 

By/Hiways

Trestles tower above, criss-crossing the distribution of mass.

Edified in engineering.

Precipice and Edge. High-sided to deep – plummet.

Span bridging here-to-there.

Anchored in shallow waves.

A shunt by-passing the river below, a detour for red blood celled cars.

Highways criss-crossing

Varicose veins over dirt legs.

Dusty and bumpy.

Tiring transport.

Arterial jams, backed-up traffic

Clotting main veins.

Blood pressure from cellular vehicular road-rage.

Prettification per Parcigal

Parcigal learned the powers of personal appearance, nearly two decades past. She learned its ability to exploit and/or to be exploited, nearly a decade ago. Hell, all gals did where she was from, Alabam, the Dirty South. Personal appearance stood as the primary source of feminine efficacy (next to blood kin).

The place where they raised her never addressed that which she regularly pondered: the long game for pretty lady face.

This type of prettification during youth resulted in an aged-self prettifying to remain relevant, as a new generation of beautiful gals arose.

The true Tao seemed to be finding Beauty unmasked.

Bare face.

No jewelry.

Unadorned.


She started to let her face be as it is. Washed it, moisturized it, but that was all.

She became the appearance of the female she was.

She did this, going about daily public interactions, until she knew her face,

Became the female she is.

Then she wields the power of makeup’s masking properly. Not defensively.


Parcigal lived her dream of Art. She reinterpreted Myshkin anew, unbound to previous ties made.

Allegory.

Of course now, books are more often quoted than read.

The once enumerable is now innumerable.

Hypertextuality.


Parcigal recoils from monastic traditions. It is being one a crowd, faceless.

Initiation required heavy control over the individual’s entire life. Gives very little free will. They seperate sexes, assuming gals are even allowed at all. It imparts a tacit intent to shame the sexual nature of the h. sapien mammal. She does not doubt the resiliency of these traditions. But, her energy does not run properly in their circuits.

She recoils from secret societies and erudite traditions, because she distrusts agendas she agrees to but cannot fully see. It feels, in her mind, like blindly giving away power.

But she is wary. She is also extremely lovesome.

A lovesome nature required diligence.

What was the use of sensualism with a resonant partner?

Why was this primal magic so hidden?

Magnetism and electricity.

Conductors.

Conductive bodies are conducive to utilizing each resonant body.

By nature.



So, in her Fool way, she left her Ewer the note below.

The morning after she spent her first night in the handmade.

Before she snuck out (after two minutes of hard doting on his sky-eyes) without rousing him.

If these Rings Spoke & Salmon Sang Electric

The sun begins to make cameo appearances.

The trail crew came through.

Cutting back.

Below is tribute to felled ones.

Ready to be reabsorbed into the ecosystem.

No waste.


The water rose.

See the fish (salmon) ladder flow from both sides

Í dræm of swaying structurez

The first night, I dreamed,

We three ran roof top to roof top of the dilapidated neighborhood.

There for the wrong side of the tracks [sic. haven] provided by Amy A’s abode.

Mary C. ampersand Julie Ann B. (two grace filled people who took a sharp veer on the Christian side to which I’d never relate).

We ran atop house `o house til the abrupt end o’ the block.

Four stories high was the final structure, condemned, that used to house god knows what.

Mary C. at the far edge.

Me at the opposite far end.

Julie Ann B. cheated away from my edge like a 1st base runner poised to steal 2nd.

The house does a pendulous sway.

We all freeze.

Having seen Amy A. (a few hours prior) make an untested, brazen, leap,

resulting in a ten foot multiple tumble into a rocky canyon.

We could not see her, but her howl could curdle milk.


We quite and in quiet acted in diligence.

Holding the space of the present tense

While immediately looking to one another

And then the other.

Are we in harmony? How are we distributed?

Does the outfield (us) need to shift?

And then we three dance and (re)distribute our weight.

Slowly and gracefully descending to the ground.

With a hand and help from one another.

Leverage exploited.

Physics.

No words exchanged or needed.

In perfect peace and health.

Hours later we reunite with Amy A.

I cannot gauge her. In health or worse for the wear?

Rode too hard and put up too wet.

This much is clear.

Amy and I wait tables under a skinny, reformed Cody B.

I keep forgetting that is my purpose.

No one else cares. My tables moan but move on unfazed. Not angry, despite slow service.


The following night, I dream.

Mary C. (far on one side) , Julie Ann B., again, nearly cheated from my position on the polar, more precarious, side

We, all three, find ourselves (precariously) alit.

This much is clear:

The ledge will withstand two of us, not three.

My edge is the most likely to give way.

I feel tired and glad.

Like my path does not follow theirs anyways.

I tell them to shift their weight toward Mary C.’s edge while I test my edge.

Julie Ann B. sees my intention clear.

She pivots across the broken plank making my edge the most lethal.

She and I now share the same bit of ledge.

She hugs me.

Her back to the ledge

Her feet pointed to mine.

My heels pointed barnward.

She is now poised between me and the free fall I was glad, nearly excited to make.

My life now hangs with hers,

Instead of alone.

I feel sad, but loved.

And yet she increases the likelihood of us both dying.

With her additional mass

On the already precariously split wooden plank.

I feel deep disappointment at having to take her mortality and life into consideration.

I’m not committing suicide, mind.

I’m moving to a new plane. I’m more than prepared for it.

But what was proper for me (letting the plank split, myself fall, into the mystic. Unafraid)

Was not proper for her.

She was still here.

It occurs.

What I mistook for wood is cheap alloy

Perhaps. I think,

I could smash the back of my head into the barn

Until the alloy gives

And we could three slip in.

Reverse Head smash one: alloy gives several inches.

I am encouraged.

I look at Mary C. on my far side.

She sees my intent.

Nods.

No words needed.

Julie Ann B., still clasped about me in a hug,

screams

She has a much more frightening perspective than Mary C., or myself.

The quicker I do this the better.

I think.

She will panic and inadvertantly pull us off the ledge.

I’m fine with this, but it is not proper for her.

Reverse headsmash 2

Reverse headsmash 3

None hurt me.

Each produces more give in the alloy behind us.

A shadow encroaches from over our heads.

Pressing forward.

From our backs.

The back of the barn

Directly behind us.

Directly overhead.

All encompassing.

Reverse head smashes, without pain, continue.

No panic in my mind.

No true bravery either.

Just a desire to get JAB inside the barn.

My mind fears the shadow is from a UFO.

The biggest airborne ship I’ve ever seen.

How could it not be alien?!

Panic for the haven of the barn’s interior now.

Reverse head smashes continue.

Sans hurt.

I feel a wet trickle

I feel scraping, like forest branches, from behind my head.

Cutting my temples, face, neck, and shoulder tops.

Nothing hurts.

I just feel blood run on my face and neck.

Barely.

I realize I’ve broken us into the barn’s interior.

I twist and fling Julie Ann B.

into the hay loft immediately behind us.

Mary C., who has never weighed more than 100lbs, jumps across

To my ledge, I catch her hands and propel her inside the loft.

Still on the ledge. but safe now,

I turn to see the fearsome shadow’s progress overhead.

I realize it is just a regular commercial jet

But it is about to crash into the field ten feet away.

We have hay behind us.

I worry the heat of the explosion’s backdraft will ignite this dry material.

I expell loud nonsense in an attempt to say all this as a warning.

The plane crashes.

I wake up.

I’ve been sweating hard in my sleep.

Narratory Recall (Thought)

Æ am a/the word. And a/the word is not only, but also, glad/ly.


The recounting or slight reprise of several (re)countings falls to me.

Í endeavor to do my best on this, your sojourn.

But(t < giggle >), í am a Fool, a bit of a cad. And proud of my wide-eyed wonder.

Please, bear in mind that what is “down for me is up.”


What the sisters did in this sphere marks history. Of course, time perpetually does this to history, so long as there is one conscious, sapient, vantage point to see it.

Cassandra and Echo. Aphrodite ruled Cassandra.

Cassandra knew it not until she reawoke from her latest dream.

Unselfishness went far. Embracing laughter and not war did too. Now, such names reach above and below.

There is a beautiful naked woman symbolizing this sphere, allegedly it is she.

Symbols.


Failure, futility, debauch and valour. Her titles and attributes.

One who loves roses as well as the name of the rose.


She sometimes takes the form of the íynx.

The wryneck.

Has the power of beauty triumphant. The meaning of this is not to be taken for obvious and it will become clearer in your imagination as we progress.

She took but two weapons. One was no more than a long bit of cord. Her girdle. Atypical. Her lamp. She carries her own. While she loves to sing the Song of the Goddess, she has yet to accept Shakti theology officially.

Amusing given her role. But then again, she is a fool.

Of course, Rādāh took most of the heat.

~ But, now í get ahead of what passes for my mind these days.


Your merry narrator has an acadæmic background. Outside.

An able learner keened up into a gifted child. The tradition of empiricism, many empiricists think, has become a large collective comprised in majority by a bunch of pretentious prognosticators. You may add my name to the list. I would not deny it.

We do have a methodology to which we may aspire; although í’m not sure we understand it anymore.


Any work undertaken is going to address a research question. This general question will lead us to our object of inquiry. From there, we may begin our study by commencing with research.

Let us consider our object of inquiry here to be of Landgrave tradition.


This endeavor, like all forms of writing, will be an imagined experience. One that we shall undertake together.

Í will address conceptual and practical problems.

Practical problems predominately belong in the professional spheres. They address states of affairs in the world that are found troublesome. Much like a lazy eye, this perspective will ultimately depend on whom you ask: what is the “real” problem?

Sex, love, gender, women’s rights, men’s desires. These are not problems as much as potentially and periodically problematic. The difference akin to someone who likes the soup hot but not spicy. Modernity shuffles the deck of sex, gender roles, discrimination time and again; and these term fly like spaghetti towards the wall.

And yeah, it sticks. The pasta is done. While a new bot boils already. Periodicity. Embrace dont fear.


Conceptual problems tend to the acadæmic spheres, as they often have the luxury of not solving any real problem, but rather simply pointing out that what people currently think is wrong. Undexterous. Or else, they may point out some other version of not knowing [sic. differentiated from not-knowing].

While there may be no tangible cost to this type of problem there is a consequence: a particular kind of ignorance: a particular lack of understanding that keeps us from realizing something else that is even more significant.

My conceptual problem will address the problematic notion we refer to as Cartesian Dualism. To put it nicely. But we will consider the present social bifurcation existing between sexuality (pleasure, sensualism, hedonism) and spirituality aka soul power.

We will also review the practical problems of the politicization of love. Our concept of love and souls and spirit tethered itself to new stakes of symbology with the birth of nations. Questions of individual efficacy and empowerment. Evidence nature is not foisted by self organization, but birthed by it.

Perhaps nature dealt us the recurrent self organization that becomes Parcigal et al.

No 0ne knows.

A Confusion of Con-s

CONSILIENCE: con (together) + siliens (jumping) ; as in resilient (see Alabam native EO Wilson: jumping together of knowledge.

How beyond knowing feels


CONGRUENCE: in agreement or harmony; (geom) figures identical in form

Origin ME from from Latin congruent > congruere (agree, meet together) from con (together) + ruere (fall or rush)

That these bodies resonate


CONFLUENCE: flowing together of two rivers ; act or process of merging

Origin ME from late Latin confluertra from Latin con + fluere (flow together).

He and I.


CONFLAGRATION: combine into one

Origin ME (in the sense to melt down or fuse metal)

From Latin conflare (kindle, fuse) con + flare (“to blow” together)

(Alchemical giggle)


CONCOMITANT: existing or occurring at the same time ; agreeing or consistent

Latin concurrere (run together, assemble)

How I howl.

CONCOMITANCE: fact of existing or occurring with something else

MedLatin concomitari (accompany)

Howl We run.


CONCORDANCE: agreement or consistency ; an alphabetical list of the important words in a text

Latin concordare (agree on) > Latin concors (of one mind)

Howl we be came.


CONJUNCTION: an instance of two or more events occurring at the same point in time and space ; an alignment of two planets such that they appear to be in the same place in the sky (eyes).

Latin con + jungere (to join)

Howl we be come.


All cons seem like pros.

Weft, woof, waif.