Lunar Tire Fires

Distillation.

Do not confuse what you create for what you destroy. He said.

I think you have that confused. I said.

A keen sensibility for rookery

And other fly-by-nightery.

He told me. Self-impressed.

I know you.

We met before.

Excuse me, I said.

You interrupted.

I am busy howling at the moon.

Keen along if you wish.

Pendulous

It is diabolical to miss the middle range

In favor of the radicals.

Come slowly.

The parable of the parabola

Is parabolic.

A Knecht a’kneeled Before Flame

He saw how Joseph was annealed by the fire…[and] felt the ordeal more than Joseph. P241

Sounded overwrought to me. Then I bothered (sic. concerned) myself with actually looking up

/annealed/

I was being educated on several levels. I first read the sentence such that I thought I knew more than I did. I imagined /annealed/ to be some form of a bow or a kneeling position, a kiss the ring, smell the glove. A posture taken when the situation demands you take yourself seriously. If you can imagine such a thing! Or that you undertake to do something trivial quite meticulously. For the sake of the process itself. By your choice. You take part with and in. Or, when ritual, tradition, culture, bestows us a transcendental catharsis by allowing us to take very specific actions with others undertaking them alongside, as well. A hymn sung by a choir. Suddenly, lighting a candle is holy. Yet, lighters and matches abound. Fire is easy to come by but it was not always so.

Blind spot.

Shocking how much meaning we can contain. There are so many pearls that some readers start arguing over the appraising of an irregular pearl. It is all about finding, examining, analyzing, and drawing conclusions about the relative value. Waiting to find that big money shot pearl. A yup.

“awe, more valuable. made of pearl but unique, collectors edition. Gesture, essence. and articulation.”

“Worthless. It’s shape isn’t paradigmatic of the standard pearl. Misinformed. Monstrous, devalues the other pearls to even be in the same bowl with them.”

Who let the pigs out? Who? Hoo hoo?

Too much monkey business for me. We as a species have moved on. Or did I miss the train and am now out of joint?


The Glass Bead Game: Magister Ludi. 1990. First Owl Books Edition. $18.00 USD/$24.95 Canada. That seems really inexpensive as I think back on it now. At five hundred and fifty eight total pages, it is a trek but no death march. As with any trek, though there will be days. But, then there will really be days! Am I right, a hyuck, hyuck.

The length is not the deterrent. The printing of the book intimidates. At least my copy. That is why I bought it. It looked too heavy for a book that size. A thing that is larger than physics allows but your eyes empirically cannot deny. Your brain’s rational processors will fill in the reasons that ‘you can’t trust your eyes.’

A phone booth and doctor.

A House of Leaves.

A ship ever at sail on a foreign sea, the life of the house mouse lost.

S/he loses their position in the home.

You lose something you did not know could go missing. The notion of home? An ending spoiled. Don’t let the little ones hear. Something you cannot unlearn but surely there is room for doubt and maneuver. Doubt suffers where there is little room

Something you took for granted. Because there is so much to see and so many things vying for the pleasure of your (everone’s) attention at all times. We cannot process the amount of information we physically can conceive us. We get by and brains fill in the blanks. The way you discover your new car’s blind spot.

《《 》》

Crash. Ah, hell.

《《 》》

But what was to be done? Can you judge yourself for not knowing that your vehicle is afflicted with a blind spot? Sure, but where that at? If you want me I’ll be in the bar. Speculating on some dreamy nonsense. The thing you did not see in your rearview & side mirrors (electric-adjustable, I’d wager) as you merged lanes, was, by dint of optical physics, unseeable. You cannot adjust for and account for such a variable.


The publishers did not eff around. There is a deliberate concern for both style and balance in the margin setting and lettering layout. There is room to scrawl. If you are into that sort of thing. I am! The luxury of the thick white broadband’s conjunction into right angles about the four verticies gains further dimensionality by its opposing page.

The reflecting pool in the palm. Narcissus finally went mobile. Each page appears with its predecessor and/or successor in symmetry. Consider the leaf of the sheet itself. Two page numbers and each bearing letter matricies yet on but one page. One page in the book holds two pages. Think about that. There ain’t ya’ll entertained? If that is not magic, then ya’ll doin’ it wrong. I see gods contained and present amongst the multiform streams. IHS Bacchus first. Then as Janus. Holding us in the present, pressed fast between the past and the future tense. So the text on each side of the page gives rise to leaf between your fingers as you turn the page.

Let us say, maybe, five hundred and forty pages are geometrically identical in dimension, same squares, same squares. Matrix array with its vectors contained in those critical margins. Two koi ponds reflected about the same axis of symmetry. Simpatico. The more you read, the more the very confined area with unnecessarily tiny pt. font, single spaced. Tight, trim, orderly. And you are drawn in and held fixed in that little space. Rapt. Enraptured.

And then the ratio expands. The page does not seem so small.


The biggest hinderance to the book’s popularity in America was a poor original cipher of the German language. But translating the lyrical prose of Hesse is probably like trying to translate a Japanese character into ‘the English word for it.’ You can pull it off but the English Equivalence is questionable. Americans are poorly positioned to be strong readers of such heavy, often erudite, ultimately, ironic tomes. We do not get the geographical exposure to other cultures.

Hell, we didn’t get the joke.

It fell for it too! The joke of being so dreadfully stoic that the reader would not dare think you were givin’ a ribbin.’ This is a book; An effing long one; I found all these pearls. I’m rich. Made-man. This is a book of power not jokes for blokes.

Sigh. Now, your cracking me up.

The good news is, if you do ever get the joke, it makes you smile and laugh out loud. Then shake your head. Hold on.

Although, states are arguably the same as little countries.

A discussion of the rather interesting history of this book finding expression in the English language

:Silence:Pause:

í before e except after c (but not always).

Loud Speakers: Watch Colors & Read Sound! “Beck – Colors” on YouTube

No rights owned. Paying homage.

All the colors.

Beck writes such innocuously infectious pop jams.

What is pop music, anyway?

Genres, huh?

Heard thru headphones Aka cans (big earmuff-lookin’ ones. Obviously.), this song is and is not the same song when it is heard through speakers.


Trying to learn about sound and light these days.

Speakers.  My parents had two floor standing ones that were about three feet tall.

They made sound.  Headphones make sounds. My portable CD player/Cassette Tape Player (deck?)/Radio made sounds.  I also took an entire battalion of d batteries if you wanted to “go mobile.”

“A boombox, in its most basic form, is composed of two or more loudspeakers, an amplifier, a radio tuner, and a cassette and/or CD player component, all housed in a single plastic or metal case with a handle for portability. Most units can be powered by AC or DC cables in addition to batteries.”

Wikipedia (per my March 01, 2019 visit) this page was last edited on 24 February 2019, at 20:24 (UTC).

Citations, huh

Hey, how they do that?

 


 

How headphones work = How speakers work = x

x = using magnetism to turn electrical energy into sound.

Speakers = loudspeakers = electric sound-making machines.

Loudspeakers attach to tiny, earbud headphones (cased inside ear muffs or earbud headphones) and make sound we hear.

Loudspeakers play back.

Loudspeakers turn electricity into sound.

Es_spk 300px-DynElement


Bosch_36W_column_loudspeaker_polar_pattern

Polar plots of a four-driver industrial columnar public address loudspeaker taken at six frequencies. Note how the pattern is nearly omnidirectional at low frequencies, converging to a wide fan-shaped pattern at 1 kHz, then separating into lobes and getting weaker at higher frequencies[50] (Wikipedia)


Stellar site! www.linkwitzlab

Testing a stereo system for accuracy

A sequence of tests is presented below that should reveal to what degree a given stereo system achieves the potential that is inherent in the 2-loudspeaker reproduction format. (See also the more recent Accuracy, spatial distortion and plausibility of the auditory scene article)

A – Pink Noise

Pink noise is a random process with a power spectrum that decreases at a 10 dB/decade or 3 dB/octave rate with increasing frequency. When measured with a 1/3rd octave analyzer, or constant Q filter bank, it has a flat frequency response. Since the critical bandwidth in hearing is approximately 1/3rd octave wide, pink noise tends to give an equal representation of all frequencies in the audio spectrum, from lows to highs. Thus it would seem to be a good auditory test signal, except that we do not have a reference for what it should sound like in an absolute sense. This limits the usefulness of pink noise to comparison tests of A versus B. Pink noise can reveal small physical differences between two sound sources, but it can be difficult to find the cause for those differences or to predict their consequences. Pink noise can drive you nuts, so be careful. Still, pink noise will point to flaws and errors in a sound system.

The tests use various 5 second combinations of L and R  streams of uncorrelated pink noise. What I call Stereo here is actually fuzzy  stereo and has no solid image, but is spatial like a cloud. In Mono the left and right tracks are identical. Left or Right means that there is sound only in one or the other track. 

Download and save pink-alternating3.wav (12 MB). Then burn the file to a CD-R for convenient access and repetition of the 1 minute  sound file.

1    Stereo = L & R 8    Mono
2    Left = L  (R = 0) 9    Stereo
3    Right = R  (L = 0) 10    Left
4    Mono = L = R 11    Right
5    Stereo 12    Mono
6    Mono 13    3 Bursts, 10 cycles @ 3 kHz, -3 dB FS
7    Stereo 14    3 Bursts, 10 cycles @ 300 Hz, -3 dB FS

 

Harlot to Freedom [disambiguation]

HARLOT

1. Lewd woman; prostitute

2. obsolete, a male servant; a churl

3. A woman in contempt

Per se: anyone, male or female of low birth.

[From Old French ‘herlot’, fellow. ]


CHURL

1. Low-bred, surly fellow

2. A sordid person

3. A peasant

4. English historical, Anglo-Saxon freeman of the lowest rank or without rank.

[From Anglo-Saxon ‘ceorl’, man.]

CHURLISH

Rude, hard to work or manage, intractable


LEWD

1. Characterized by lust, lustful; carnal- licentious

2. Provencial or Archaic, morally depraved, vicious, wicked

[See the Anglo-Saxon ‘læwed’, lay]


LICENTIOUS

1. promiscuous and unprincipled in sexual matters

2. Archaic, disregarding accepted rules, especially in grammar or literary style

Came into Middle English from the Latin ‘licentiosus’ from ‘licentia’, freedom.]

Funk & Wagners, 1943

Oxford English Concise, 2008

Descriptive Despotism.

Scant and off-standish. I confuse for oscillation.

Busied with nothing, they are.

Ashade & alee, ally & algæ.


Predicated upon such a predicament.

Do what, now…

In/Transitive verbs. Inert momentum gave the other dog the upper leg.


I asked the CAT scan tech:

Can you have electric without magnetic?

Field/ed/ naught.

He grinned; I passed out.

Suzie Q got graham crackers.

She can still write in cursive correct.

They do not teach it anymore.

Skills being disvalued.

After being discounted

Only creating future demand.


We are no orthodox sun-dwellers, dear.

Such is a sweet thrill.

Pity the would-be achievers; they will never enjoy their achievements

Until they learn to love strangers.


My apprehension now apprehended.

Eyes narrowed and lips

Pursed. Spawning focus.

Now, your lips purse, pucker up, as you

Awaken into a dream, falling into sleep.

My sweet Poliphilio.

Your own right hand pressed to your cheek. The scratchy friction of just a bit of beard to the back of your hand.

Your fingers curl slowly.

Except your pointer. It alone rests atop the left shoulder, too.

A top,

The bend of a knuckle, the one next to the nail.

Holding until held.


Pucker ampersand purse. Your lips. Again. Deeper you fall.

Twitching tap of that

Pointer fingertip to clavicle.

Across pectoral, sternum, and pectoral.

I start my next sentence but we idle in the æyther and I recognize.

In our idyll. The approach.

An image, but not one of whom I recognize.

Encircled and fuzzy in capture.

Encapturing the same arm

To the same shoulder.


It will not be long now. This will drop.

My brow and focus unfurrows and

Then uplifts in honest realization and disappointed resignation to the moment.

My eyes no longer two half moons.

Becoming oval saucers.

Serving platters for huge dinner parties,

Big enough to hold the head of John the Baptist (aka the Revelator).

And, at the feast,

I see the eyes and hear the hush of the hushed. They peer in on this meal with faces stoic and smug.

Held in their voluntary vanity

That holds their faces involuntarily so.


I asked the Old Man. The who no one ever done met:

Does your mountain happen to be Sugar or Magic?

He grinned

And asked:

Have you heard of The Mountains of Madness?

I nod. I know. I read and read. Now.

Knotting and loosening.

Hand in hand.

No juxtapositing but aligning and allying periodicities.


The sacrosanct of a reluctant headliner.

He said: now you know a secret; man can fail.

I said: that’s only a revelation to your men.


Morgan saw detail.

Meredith saw the night sky.

Rachel saw in between.

Portrait. Picture perfect.

cassette à fleur

I shift shoulders,

Crackly, a’tængled.

Naught not knotted.


Capacity and current

Contained by my spine.

Contracting.

Runs amok until

Corrected to both

convex & concave

Context.


Back braced

And arching.

Bending

Bow

To arrow.

Column of my chord.


Given immobility put to good use

In postures

Not posturing.

Posing but no poser.

Calf cramps

Paces inside

In sides.

Sidling as slides.


Sliding the sphere of my cəntər

Recanter.

And əntərs.

My abdomen to

My solar plexus

through

To my head.

Red , Terracotta , orange

Yellow , Green, Indigo.

Amid

White

Black.

All then red.



When cultivating a rose, they account for size, form, color,

Substance

Stem & Foliage

Balance

&

Proportion

(but wə can turn anything into a competition, I’d wager)



An ugly rose?

Hum

Birds and bees do not notice.

Lao Tzu or The American Rose Association Rule Book.

Misnamed. Mislabeled.

!

Dont let the roses pick up on that vibe.

Or the glass embracing it might break.


The rose and the vase.

This translates to a title.

Nearly

On pointe

With winged feet. Mercurial.

Disbalance.

Balanced unbalance.

Balanchine.

Bodies made by and into ratios

On pointes of feathered circles.

You

Pointed.

(Indignant and tall)

<Contained by pieces nearly too small>

Poly-sal’ went acourtin’: Orientation Day

The tradition of Courtly Love in literature comes in three types: allegories, lyricals, and romance (aka færy tales).

In prudence of full disclosure, be aware that Richard Wagner’s opera was tentatively titled Parzifal (just as WOLFRAM VON ESCHENBACH had titled the protagonist) until 1877, when he switched to the handle Parsifal. This change was informed by one theory about the origin and etymology of the name (Perceval > Parzifal > Parsifal).

Vidēre licet the name as of Persian order Fal (Pure) Parsi (Fool).

At this time, your historian has been unable to validate any other origin theories for the name.


Though we shall encounter, virtually, every story ever told within Parzifal, a breakdown of the tradition of Courtly Love and Chivalry during the High Middle Ages as Eschebach tells it is justly prudent.

We concern ourselves, as the reader, with (1) Provençal troubadours, (2) French trovères, and (3) minnesänger.

I’m Wolfram von Eschenbach. I’m a bit of a minnesänger.

Note that Eschenbach states that a Provençal called Kyot (my research suggest Pyot to be a correspondant name in other texts) sent ” the book” to him.

Of keen interest to your historian is the patron enabling Eschenbach to afford the luxury of his composition. Wolfram was under the patronage of Medieval German Mæcenas Herman Landgrave of Thuringia.


taube.jpg

The tradition of Courtly Love and Chivalry during the High Middle Ages as seen from the Critical perspective:

The overall gist, to be concisely reductive) of works concerned with courtly love seems to be the romance of self-perfection in knighthood, where both the chivalric and the spiritual receive their due as part of Love and Sensualism.

Parzifal had the knowledge of chivalry concealed from him until he was of an age able to think for himself.

In C.S. Lewis’ Allegory of Love, he presents the literary tradition of courtly love to include four basic characteristics: humility ; courtesy ; adultery ; Religion of Love.

A feudalization of love.

We will consider the meaning of the above shortly.

The genius of the above description will be revealed in history of words.

Parsigal Proem by A. Ladder

The words really do get curious and capricious. I am Alice Ladder; and even the hair on my arms stood on end. Hair-raising. Un baffoon ambulent I must have appeared on my walk home.

Parcigal is lovesome, diligent, loyal and kind. But the gal is also lewd and licentious. A real hærlot. Engaging in all sorts of hærlotries, and what not. She is a complete philolofile. Thinks she’s pretty funny.

Vitz. She really likes words and is a lovesome dummy.

Before we meander Hear I make three formal remarks below. The rest is simply me doing my best.

Alice Ladder

Carroll, VVündųrlvnd

TIMESTAMP: 07/09/10 15:00


》All knowledge is nothing more than symbolism.

》》 Word is bond and magic. Be impeccable. Do not use it against yourself either.

》》》What you see inside the mirror is just an image of reality; which means it is virtual reality. It is a dream.


Revælation

i. surprising disclosure of a previously unknown

ii. remarkable thing

iii. supranatural ; præterhuman ; divine ; daimonion

*remember that we must distinguish between a homo dormien (sleeping human) from a homo vigilance (waking man).

“A private individual.”

hermit

Just a “fellow temple-servant.”

Homo-doulus with the swans kuknoi.

Word has it that Socrates believed his master [despotēs] gifted him a prophetic capacity [mantike] not inferiors to that of swans.


Metathesis: transposition or interchange.

Metastatics: change and shifting

Metatithemi: interpose, change a meaning.


¤

Maverick.

Pure Fools talk freely.

So listen closely.

Everyone’s gonna shout.

Babble on anon, anon.

Dr. Martin Luther King Jr.: Birmingham Campaign/Project C

images

 

“When the history books are written in the future, somebody will have to say, ‘There lived a race of people who had the moral courage to stand up for their rights.  And thereby, they injected a new meaning into the vein of history and of civilization.’   And we’re gonna do that.”

Martin Luther King Jr. @ Bus Rally in Montgomery, AL. Dec 05,1955

That is how you speak in a mythos that all can understand.  


Magic City

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Five Points South water fountain. Five city streets converge into one confusing intersection.

I lived on the same Birmingham city block as Dreamland BBQ (2nd location) across from Wilson’s Market. The University of Alabama at Birmingham (go Blazers: best mascot in the state: dragon!) is about four blocks away. The ‘professional downtown’ area took about 4 minutes to drive 3-ish miles, over bridges with railroad tracks below. It is a shell of almost-skyscrapers. Sky-risers. Many blocks look forsaken.  A seeming majority of professional spaces in these older buildings sit empty and yet, next door you will find the home offices of several major American Banks, Insurance Companies, etc.  (Circa 2016 from memory).

All or nothing. 

Sloss Furnace looms like an industrial dreamscape an installment of Clive Barker’s Hellraiser universe.

I also lived quite near a number of historical sites that witnessed the struggles of social revolution. I lived in this area 30+ yrs since childhood. I went to public school. The memory of this time is very much a still a live, shared cultural memory. A work in progress. The future needs some magic, leadership, and kindness. 


Birmingham incorporated in 1878. Already, there were 20–25 major iron and steel producing blast-furnaces and companies in the Jefferson/Shelby county seat. The name ‘Birmingham‘ was picked to correspond with Birmingham England (the center of that country’s iron industry.) The new Alabama city boomed so quickly that it came to be known as the “Magic City.” It later became known as the “Pittsburgh of the South” after the Pennsylvania center of iron and steel production. Jan 8, 2008 downloadThis tribute to local deity Vulcan looks over the city and protects the workers.  Many, many moons ago, his arrow would shine at night: green if there were no casualties in the steel/iron mills & red if a person died working.  This was discontinued after the number of red light nights began accumulating to a simple majority of the time.  The citizens found it distressing.  The light was removed.  I cannot be sure, but assume this resolved the problem and decreased the number of deaths substantially. Ahem…..


1963, Birmingham, AL USA: QUICK FACTS

  • “probably the most thoroughly segregated city in the United States,” according to King.[6]
  • city’s population nearly 350,000: 60% white & 40% black,[7]
  • unemployment rate for blacks was two and a half times higher than for whites.[8]
  • the following professional limitations existed
    • no black police officers, firefighters, sales clerks in department stores, bus drivers, bank tellers, or store cashiers.
    • Black secretaries could not work for white professionals.
    • Jobs available to blacks were limited to manual labor in Birmingham’s steel mills, work in household service and yard maintenance, or work in black neighborhoods.
    • When layoffs were necessary, black employees were often the first to go. 
  • The economy stagnated while the city shifted from blue collar to white collar jobs.[12] 
  • Fifty unsolved racially motivated bombings between 1945 and 1962 had earned the city the nickname “Bombingham“.
  • A neighborhood shared by white and black families experienced so many attacks that it was called “Dynamite Hill”.[14] 

Project C

download (1)

Protest organizers knew they would meet with violence from the Birmingham Police Department and chose a confrontational approach to get the attention of the federal government.[22] 

“My theory was that if we mounted a strong nonviolent movement, the opposition would surely do something to attract the media, and in turn induce national sympathy and attention to the everyday segregated circumstance of a person living in the Deep South.”[21]

Wyatt Tee Walker, one of the SCLC founders and the executive director from 1960 to 1964, planned the tactics of the direct action protests, specifically targeting Bull Connor’s tendency to react to demonstrations with violence:

 He headed the planning of what he called Project C, which stood for “confrontation”. Organizers believed their phones were tapped, so to prevent their plans from being leaked and perhaps influencing the mayoral election, they used code words for demonstrations.[38]

The plan called for direct nonviolent action to attract media attention to “the biggest and baddest city of the South”.[39] 

The final day the arrests totaled 1,200 jailed protesters in the 900 person-capacity Birmingham jail. 

King wrote his essay “Letter from Birmingham Jail“. It responded to eight politically moderate white clergymen who accused King of agitating local residents and not giving the incoming mayor a chance to make any changes. Bass suggested that “Letter from Birmingham Jail” was pre-planned, as was every move King and his associates made in Birmingham. The essay was a culmination of many of King’s ideas, which he had touched on in earlier writings.[55] King’s arrest attracted national attention, including that of corporate officers of retail chains with stores in downtown Birmingham. After King’s arrest, the chains’ profits began to erode. National business owners pressed the Kennedy administration to intervene. King was released on April 20, 1963.


The facts of the dogs and hoses, bedlam, and barbarism is imprinted.  But King’s language and lyricism during his lifetime would feel right at home alongside the best strings of words that world and classical literature has to offer.  

“The right to protest for right.”

“When you are forever fighting a degrading and degenerating sense of nobodiness…”

“Grim and bold determination…grim and firm determination.”

“If we are wrong, justice is a lie.”


download (2)

Many public domain documentaries can show you the footage immediately following the rally.  Here is my summary of one of the most poignant documented parts of this entire Birmingham campaign.  

~

In an attempt to handle the anticipated volume of arrests of public demonstrations, Birmingham authorities brought in the big yellow school buses, proudly proclaiming Jefferson County School on the sides, 

Dr. King Jr. fills the Birmingham jail with arrestees from demonstration activities enacted over the past few days.  2,500 people were arrested in total and held in the 900-capacity Birmingham jail.  Genius. The arrestees were very nearly in number severe enough to overwhelm their captors physically, should they choose to.  They did not, of course, but Bull O’Conner saw what could have happened. 

The city at stalemate.

“Laying the issue before the conscience of local and national communities.”

While arrested, King very clearly defines that for which the movement campaigns.  He calls them “requests”. Adept.  The very reasonable nature of these requests and the disproportionate reaction by segregationists shocked the country.  It turned out it was VERY different in Alabama.

  1. Desegregate restrooms, lunch counters, fitting room.
  2. Allow employment access: “have black clerks, salesmen and women.” 
  3. Drop charges against those arrested in the demonstration.
  4. Appoint a biracial committee to solve bigger issues with time-table settings     
    1. Desegregation of schools.
    2. Reopening city parks, integrated.
    3. Maintaining compliance with federal court orders
    4. Fair hiring in municipal organizations, including the police.

With great fluidity the demonstration rapidly disperses from the church, issuing onto the public sphere. No yelling, no first pumping aggression.  People stream out politely; there is no human spill over into the road way; there is no trodding over “other people’s grass.”  It is orderly and almost like a formal dress code was needed to join the campaign.  People looked sharp.  Jackets and slacks with ties.  Dresses, hose, small heel, nothing immodest. The Birmingham authorities wore collared, short-sleeved pseudo dress shirts. The police uniforms aired of casualness in uniform.  They were in uniform. That’ll do her well ‘nough.  My assumption is their time was spent mobilizing shields, gas, hoses, dogs, practice runs and meetings to review.  That was their focus. Such a large number of people dressed decorously makes even the smallest wrinkle in uniform, the slightest slag of an unpressed pant, the casualness of the collared, short-sleeve work shirt, tie-less, top button undone, highly noticeable and suspect.

As a lone policy car siren wails upstream this human river current, it is able to drive easily along a defined and unobstructed roadway. The car might feel encroached upon, but not infringed on by the demonstration Mass; most of whom now smile, broadly and even wave a joyful hello to the cameras which are taking them to living rooms all over the country. Even the little kids know it is ok to be excited–after all the nation just saw. 

There is no yelling or antagonizing from the procession of the rally Mass. There is music audible and sung in sincerity.

Then the camera pans back. The police encroach the scene.  They are already certain physical violence will break out when the Mass gets to the streets. 

This explains why they bring weapons, dogs, body armor and shields.  They expect and planned for various eventualities in preparation.  They are nervous.  They are being filmed.  They are scared to engage. 

The first two or three police show up on foot “to see what’s going on here” and generally “just wanna make sure we aren’t gonna have no problems, here today.” The Mass gets antsy at their presence but does not provoke. Nods and waves of hello become bitten thumbs, emasculating mocks before a television audience.

The first handful of cops seem to struggle with identifying who exactly should and should not be arrested–appearing, at times, to choose indiscriminately. Then they brought out the dogs and simply let them choose.  Now, a smooth river of people flowing turns into a stewing churn of confused particles. 

You have heard the sound of what follows as more cops arrive: frenzied barking, panic of voices, whoosh of water bursts. in. spurts. Monsoon pouring onto concrete for 15 seconds. Ceasing. Beginning again.

You can fill in the blanks.  That part of the story is very well-known. 

Watch “The Isley Brothers – I Turned You On” on YouTube

A good man first introduced me to this jam, and I wanna pass on the soul power!

Turned you on now I cant turn you off.

What a good, good feeling

A great sensation.

Oh you and me, baby, a good combination.

Beginning to the Li(gh)te

Forget the í of

And cons/c/ider just the Camel.

reservoir avec Well-Ho(u)nd(ed) Companion. [snarrrrl]…


< c > was still. Used,

as in cir(í)ce, wrecc(e)a.

cniht ( knight < ni(gh)te > )

was subsequently changed to

kniht,

adapted, possibly, from a/n (Æ)Egytian hieroglyph signifying

A Staff in the Sky.


3rd Century BC, a modified character was introduced for /g/, and ‘c’ was

Returned

For /k/


Parsigal > Pargical

Becomes

Parcigal.

Ala

Open secret x


The use of ‘c’ ( and its variant G (Kn<N>) replaced most usages of < k > and < g >

Overtime.

Hence, in the Classical period and after ‘G’ was treated as the equivalent of Greek

Gamma and <c> as the equivalent of Kappa.


This shows the n(r)ominazation of Greek words as in

Our Outréness & Control (disambiguation: outré)

OUTRÉ adj

; not confirming to traditions of:

; behavior ; customs ; style ; Usage


Outré adj ————————–(current English usage above).

,Strikingly-odd, Bizarre, Extravagant, Exaggerated,

Outréness n, [pl/sing] ——————-(Eng usage).

,Strikingly-odd, the Bizarre, the Extravagant, the Exaggerated,

Outrér v, [past participle]——————-(French usage-specific)

,To carry to excess,

Outrance n, [pl -s] ——————————(Eng usage)

*proper prepositional pairing = ‘at’ or ‘to’

,the last extremity,


Middle English: outré

not confirming to traditions of behavior, customs, style, usage

Middle French: outrer

to pass by and over come. SURPASS

Middle French: outre

BEYOND

Middle English: outraunce


À outrance

àloutrance


Outrèr.

Our

Router

reroute

tour, out

Rote

Ore [amper-sand] Orer

Inverting Bodies in Motion

What happens if inertia, itself, becomes inert?

Does this mean then that the tendency of matter would be to embrace acceleration?

Displacing a disposition to remain inactive with a

novel propensity for motion?


Latin inert-, iners

unskilled ; idle ; motionless


Abject and supine.

Sounds harsh.

But synomously we find base,

A supporting or carrying ingredient

The bottom of something considered as its support

It is from here we may erect initially.

It is at base where we find the tendency of inertia rendered inert.

Coquette Get It

Coquette: n.

1 a flirtatious woman

2 a crested Central & South Am. Hummingbird [Lophornis is one]

Coquetry n. ; coquettish adj. ; coquettishly adv. ; coquettishness n.

ORIGIN 17th century: from French (of course, right?) feminine of coquet ‘ wanton’, which is the diminutive                     of coq (in other words ‘cock’)


Flirtatious ORIGIN C16: originally used in the sense ‘give someone a sharp blow’; the earliest noun senses were ‘joke, gibe’ and ‘flighty girl’

Apparently symbolic in etymology, composed of the elements fl- and –irt (both suggesting sudden                                movement. Cross reference FLICK


Flick: make/cause to make a sudden quick movement ; propel with a quick movement of the fingers

Flick through ; a flick through ; the flicks ; give someone the flick (casually reject) ; flicky

ORIGIN: MIDDLE ENGLISH: symbolic (like flirt) of fl- frequently begins words denoting sudden movement


Wanton: immodest ; luxuriant ; promiscuous

ORIGIN MIDDLE ENGLISH wantowen ‘rebellious, lacking discipline’, from wan- ‘badly’ + Old English togen ‘trained’

What Writes Who?

Writing that is read will necessarily be personalized by the reader. It seems arguable that writers could also personalize what they write as coming from from them, when it might be coming through them. A radio does not create the music it amplifies. The radio is not the origin of the music it amplifies. The radio converts sound waves in the air into vibrations our ears perceive as music thanks to our ear drums.

Both writer and reader engage writing and written language through the process of meaning-making in the same way an individual exploits patterns s/he perceives to make sense of the external world. While we can speak of the transmission of info via written language as a technical and biological process (occuring systematically in brains), this is not the same as saying the reader or writer will have any awareness of their own mechanations of thought.

I am told electricity traces routes in my brain, firing bells and whistles that lead me to feel and think. When I have a thought or a thought occurs to me, I am not conscious of the biological nor the physical mechanics enabling or spawning that thought. My consciousness of the text I create enters once I’ve personalized it – made it relevant to myself? Just like a computer is not aware of it own processes and algorithms, so we could be too with our words?

Watch “John Irving on why The World According to Garp is more relevant now than he ever imagined” on YouTube